This full-color, artistic, realistic, and fantasy-style close-up illustration captures the regal and intense expressions of Rimush and Manishtushu, sons of Sargon of Akkad. Both look directly at the camera, their faces embodying the power, ambition, and complex relationship of two kings of the Akkadian Empire. Dressed in detailed ancient Akkadian royal attire, their expressions reflect the weight of their historical legacy. The subtle background elements of Mesopotamian architecture enhance the focus on their expressions, offering a glimpse into the intrigue and strength that defined their reigns.
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Sargon’s Sons, RIMUSH & MANISHTUSHU, Ur III’s MURDEROUS MONSTERS from Agade, DECIMATED SUMER By Sasha Alex Lessin, Ph.D. (Anthropology, UCLA)
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This full-color, artistic, realistic, fantasy-style illustration captures the regal and intense atmosphere of the Akkadian Empire. Rimush, the younger son, sits on a grand throne, exuding authority, while Manishtushu, the older son, stands nearby with a contemplative expression. The detailed Mesopotamian architecture, vibrant colors, and ancient symbols of power evoke a sense of historical grandeur and intrigue, highlighting the complex relationship between the brothers and their roles as kings.
Rimush and Manishtushu were sons of Sargon of Akkad and kings of the Akkadian Empire. Sargon passed over his first son, Manishtushu, and named his second son, Rimush, to rule Akkad and Agade before Manishtushu.
KING RIMUSH
This full-color, artistic, realistic, and fantasy-style illustration presents a close-up view of King Rimush of the Akkadian Empire, seated on his throne. His eyes and facial features are captured with exceptional clarity, showcasing his powerful and regal expression. Rimush is adorned in detailed ancient Akkadian royal attire, with the intricate design of his throne adding to the grandeur. The subtle elements of Mesopotamian architecture in the background enhance the scene, while the focus remains on his intense and commanding presence. The image embodies authority, strength, and the historical legacy of King Rimush’s reign.
Rimush consolidated the Akkadian Empire, which Sargon and Anunnaki Princess Inanna had won. Rimush’s empire then included Syria, Elam, Uruk, Ur, Umma, Adab, Der, Ki.an, and Lagash (the city of Inanna’s rival, Ninurta).
In his fight for the city of Adab, Rimush killed 15,718 men and took 14,576 captives, whom he sold as slaves. In Umma and Ki.an, he murdered 8,900 men.
This full-color, artistic, and realistic fantasy-style illustration presents a close-up view of Rimush, the king of the Akkadian Empire. His firm, regal features are highlighted, conveying his leadership and authority. Wearing traditional Akkadian royal attire, Rimush stands against a backdrop of intricate Mesopotamian architecture, stone carvings, and ancient symbols of power. The vibrant colors and detailed artistry evoke a sense of historical grandeur, capturing the essence of Rimush’s pivotal role in consolidating the vast empire originally won by Sargon and Anunnaki Princess Inanna. The image offers a powerful and intimate portrayal of a king whose legacy shaped ancient history.
He captured En-x, governor of Umma, and Lugal-KA, governor of KI.AN, killed the entire population of Kazallu (near Agade) and took Elam (the future Persia).
Rimush destroyed all the major Sumerian cities and redistributed the lands of survivors to his Akkadian loyalists, who lived in Agade, the UR III Capitol, and became the new absentee aristocracy of these cities. Rimush overran and impoverished all the Sumerian cities except Shuruppak.
This full-color, artistic, realistic, and fantasy-style illustration vividly portrays Rimush, king of the Akkadian Empire, leading the devastating conquest of the Sumerian cities. The image captures the dramatic and intense atmosphere as burning cities and ruined landscapes dominate the scene. Rimush stands at the forefront, clad in regal Akkadian attire, embodying power and dominance. Akkadian loyalists, the new absentee aristocracy from Agade, oversee the redistribution of lands to their own, while Sumerian survivors look on in despair. The illustration starkly contrasts the wealth and stability of the Akkadian rulers with the poverty and ruin of the conquered Sumerian cities—except for Shuruppak, which remains untouched on the horizon. This powerful visual encapsulates the sweeping impact of Rimush’s actions on ancient Mesopotamia.
KING MANISHTUSHU
Manishtushu probably engineered the assassination of his younger brother Rimush in 2255 BCE. He invaded Syria but put most of his energy into administering the UR III.
This full-color, artistic, realistic, and fantasy-style illustration captures the intense and dramatic moment of Rimush’s assassination in 2255 BCE. The image reveals the conspiracy within the Akkadian court, with Rimush surrounded by hidden assassins. In the shadows, Manishtushu, his older brother, is depicted with a calculating expression, hinting at his possible orchestration of the betrayal. The ancient Mesopotamian architecture in the background enhances the historical authenticity, while the distant scene of Manishtushu leading an army into Syria illustrates his ambition for conquest and governance. The illustration masterfully blends intrigue, mystery, and power, highlighting the complexity of Akkadian royal politics and the cunning of Manishtushu.
He promoted trade and exchanged goods with Egypt and Oman.
Manishtushu’s couriers killed him with cylinder seals in 2270 BCE; his eldest son, Naram-Sin, followed him as King of Akkad.
This full-color, artistic, realistic, and fantasy-style illustration captures the dramatic and violent assassination of Manishtushu, king of the Akkadian Empire, in 2270 BCE. The scene is tense as Manishtushu is attacked by his couriers, who wield cylinder seals as unconventional yet deadly weapons. The ancient Mesopotamian architecture in the background emphasizes the chaos and betrayal within the Akkadian court. In the distance, his eldest son, Naram-Sin, stands with a regal and determined expression, symbolizing the imminent transition of power. The image masterfully portrays the historical intrigue, the brutal end of Manishtushu, and the ascension of Naram-Sin as the new king of Akkad.
Evidence https://wp.me/p1TVCy-1zg
References http://wp.me/p1TVCy-2cq
Timeline http://wp.me/p1TVCy-1Km
Who’s Who http://wp.me/p1TVCy-1PE
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Sons of Sargon: Rimush and Manishtushu
