Embrace the legacy of ETs on Earth and get over the adolescent sociopolitical pathology that can ruin the planet and kill us all – Manifest for the 21st Century.
EMBRACE THE LEGACY OF ETS ON EARTH & GET OVER THE ADOLESCENT SOCIOPOLITICAL PATHOLOGY THAT CAN RUIN THE PLANET & KILL US ALL~ Excerpts from Neil Freer forwarded by Sasha Alex Lessin, Ph.D. (Anthropology, U.C.L.A.)
Check out the video below this post for an overview of the Anunnaki who perpetrated the pathology.
NEIL FREER (may he rest in peace) who, at age 12, rode in a saucer with Enki, the Anunnaki sage dedicated to fostering humanity, in his Manifesto for the 21st Century, wrote how we can transcend our stupid, murderous, stifling ways of being on Earth.
Below you get a sample; read more at https://wp.me/p1TVCy-5Mg
An influential Anunnaki figure stands on a high platform, radiating wisdom and energy as they oversee Earth. Below, a diverse group of humans look up in awe, representing a collective awakening. The scene blends ancient and futuristic elements, symbolizing knowledge transmission and the potential for humanity to evolve beyond its limitations. Earth in the background glows with a hopeful future, emphasizing the transformative moment of realization and unity.
After thousands of years of trial and disastrous errors, it is evident that the release from the racially adolescent immaturity we seek as individuals and as a planetary species will not come from yet another technopolitical experiment. Yet, another U.N. negotiated conflict resolution, religious ecumenical conference, new age vision, academic philosophy, imposition of theocracy, new constitutional political format, much less some new twist on the MAD scenario, or the war to end all wars.
Humanity stands at a crossroads, struggling to escape cycles of war, failed political systems, and ideological conflicts. The setting features remnants of past civilizations—ruined temples, fallen statues, and abandoned war machines—showing the failures of history. Above, a solemn yet hopeful Anunnaki figure radiates cosmic wisdom, offering a path beyond these outdated constructs. Dark clouds dissipate to reveal a glowing Earth, symbolizing the possibility of transcendence and unity beyond division.
We are accustomed to analyzing, evaluating, and reacting to significant positive or negative events in the public and private sectors in terms of political, military, economic, scientific, psychological, sociological, or religious factors and ramifications. We do this in the context of a primitive economic, competitive mammalian politic based on territory and the defense of limited survival resources when national boundaries have been rendered meaningless and free energy sources are already available.
A striking contrast between humanity’s outdated competitive mindset and the limitless possibilities of an enlightened future. Humans debate and struggle over territory and resources, unaware that vast free energy sources glow in the distance. Fallen government buildings, war machines, and financial institutions are abandoned and overgrown, symbolizing the obsolescence of old systems. An Anunnaki figure watches from above, representing higher wisdom and the call to move beyond artificial national borders and scarcity-based economics toward global cooperation.
The least evolved among us preserve their wealth, built on a limited energy supply, by deliberately suppressing developments that would make it limitless. Some humans believe it is impossible to initialize a common ground to get past the communicatory barriers of turf and custom, belief, and taboo. We disagree on the facts, interpretation, and understanding of our species’ history.
A dystopian yet symbolic scene depicts the struggle between those who hoard limited energy resources and those seeking a future of abundance. In the foreground, wealthy elites in dark robes guard their stockpiles of fossil fuels and outdated power sources, standing in front of crumbling institutions—banks, oil refineries, and power plants—representing their grip on humanity’s progress. Beyond them, a glowing, limitless energy source remains out of reach. Below, people argue over history, beliefs, and traditions, divided by their inability to find common ground. Some reach toward the energy, yearning for a better future, while others turn away in fear and denial. Overhead, an enlightened Anunnaki figure radiates wisdom and sorrow, watching humanity struggle against its self-imposed barriers. The background shows a split Earth—one side consumed by darkness and conflict, the other illuminated with the possibility of unity and evolution.
These problems translate to the issues related to our children and their education. Currently, we matriculate our young mammalian history fleshed out with desiccated, parochial, political platitudes. We teach our children the same platitudes and clichés we were taught, brand them with the same religious, scientific, and intellectual taboos we were tattooed with as children, and expect that they will somehow be ready to do better.
A powerful and symbolic scene illustrates the stagnation of education and the repetitive indoctrination of children with outdated ideologies. In the foreground, young students sit in rigid rows, their minds filled with political platitudes, religious dogmas, and scientific taboos, symbolized by heavy, worn-out books chained to their desks. Their expressions vary—some appear disinterested, others confused, while a few struggle against their restraints. Looming over them, shadowy figures of authority—representing archaic educational, religious, and political systems—impose the same outdated narratives onto the next generation. Beyond them, a glowing source of higher wisdom remains obscured and just out of reach. Above, an enlightened Anunnaki figure watches with sadness and hope, radiating the possibility of a new paradigm in learning. The background contrasts a world trapped in the past with a vision of a liberated, enlightened future.
The current status quo is a continuation of the primitive theo-political conflicts that we have known for the past three thousand years. Cultural legacies are the significant obstacles that influence and hinder our planetary understanding and progress. These cultural lock-ins are with us as the deepest dyes in the tapestries of our cultures, locked-in legacies that influence our thinking, science, logic, and concepts of ourselves.
This image is a powerful depiction of humanity’s struggle against deeply rooted cultural legacies that hinder progress and planetary understanding. In the foreground, individuals from diverse backgrounds engage in heated debates, their minds bound by ancient scrolls and stone tablets—symbols of millennia-old traditions and beliefs. Towering over them, shadowy authority figures representing religious, political, and cultural dogmas tighten heavy chains, binding people to the past. Behind them, an enormous woven tapestry, rich with historical symbols, showcases the deeply ingrained ideologies that shape human thought. In the distance, a glowing path of wisdom and enlightenment remains obscured, just beyond reach. Above, an enlightened Anunnaki figure observes, its expression reflecting both sorrow and hope, offering the potential to break free from these locked-in legacies. The background contrasts a world struggling with ancient conflicts against the promise of a liberated, enlightened future.
We have many different and conflicting definitions of what a human is and conflicting “owner’s manuals” by which a human is supposed to operate. There are two major “owner’s manuals” in the form of Bible and Koran, two in the form of The Book of Changes (The I Ching) and the Book of the Tao. The I Ching and the Book of the Tao are instruction manuals in which the “owner” is understood as the human consulting them. In the case of the Bible and the Koran, the “owners” are not the humans but the deities associated with the manuals.
A symbolic and thought-provoking scene illustrates the significance of human interpretation and belief systems. At the center, a grand pedestal holds an open, glowing book, symbolizing the pursuit of wisdom beyond singular religious texts. Around it, people engage in discussion—some seeking enlightenment, others exploring diverse paths of knowledge. The scene represents a journey of self-discovery and intellectual evolution. Above, an enlightened Anunnaki figure observes with neutrality, radiating wisdom and understanding. The background blends elements of classical philosophy with futuristic landscapes, highlighting humanity’s transition from tradition to new possibilities.
This relationship of “owner” to the subject, deity to servant or slave, is understood by the vast majority as “religion.” Those who do question it have often been killed by those who do not. Those of one slave-code religion have often killed those of another slave-code religion over whose owner is the only actual Owner or which code is the correct one. Ultimately, these slave-code definitions determine our cultures and their legacies and traditions and are the most fundamental cause of the separations, divisions, conflicts, and wars between humans.
This is a symbolic and thought-provoking depiction of how hierarchical religious systems shape human conflict and division. Towering statues of deities loom over people below, divided into factions, each clutching different religious codes. Chains extend from the statues, binding people in a master-servant relationship ingrained in spiritual traditions. Some individuals attempt to break free, questioning their servitude, while others fiercely defend their beliefs, clashing over which deity is the valid Owner. The background contrasts two realities—one side is shrouded in darkness, representing cycles of conflict, while the other glows with the possibility of enlightenment, just beyond reach. Above, an enlightened Anunnaki figure watches with sorrow and hope, observing humanity’s struggle to transcend religious dogma and division.
What is emerging now is a sense that neither mechanistic (Darwin) nor theistic (the Bible) is going on. Zecharia Sitchin has advanced a paradigm of our history to enable us to rewrite our beginnings and the planet astronomically, evolutionarily, paleontologically, and archaeologically and redefine ourselves as humans.
This is a symbolic and thought-provoking depiction of humanity’s shift beyond mechanistic evolution (Darwin) and theistic creationism (the Bible) toward a new understanding of human origins. In the foreground, ancient texts representing Darwinism and religious doctrine lie open, but a third glowing book—Zecharia Sitchin’s paradigm—stands between them, radiating knowledge. Around it, scholars, scientists, and seekers examine Sitchin’s theories, rewriting human history through astronomical, evolutionary, paleontological, and archaeological discoveries. In the background, Anunnaki figures descend from the stars, observing humanity’s journey of self-redefinition. The landscape blends ancient ruins with futuristic technology, symbolizing the merging of past wisdom and future knowledge. Above, an enlightened Anunnaki figure watches over the unfolding paradigm shift, guiding the awakening of a new perspective on human history.
Central to the history of the Anunnaki’s occupation of the planet was the interaction between two brothers, Enlil and Enki. Enki was their chief scientist, responsible, with his sister Ninhursag, their chief medical officer, for the genetic creation of our species. Enki was sympathetic towards humans and promoted our interests. Enlil, eventually known as Jehovah/YHWH of the Old Testament, maintained the position that humans were to remain slaves, totally subservient to the Anunnaki and him especially.
The Anunnaki phased off this planet at the latest around 1250 B.C. For some three thousand years, subsequently, we humans have been going through a very traumatic transition to racial independence. Proprietary claims made by various groups of humans as to who knew and knows what we should be doing to get the Anunnaki to return or when they returned perpetuated the palace and social rituals learned under the Anunnaki, and sometimes disagreement and strife broke out between them. Religious ritual is the transmutation of palace servant duties.
The serving of favorite roasted meats on the Anunnaki table became the offering of “burnt offerings” on the table now become an “altar,” the transportation of the Anunnaki local ruler on a dais became a procession of statues, the Anunnaki palaces became “temples,” etc. The Anunnaki were known to the humans in contact with them as imperfect, flesh-and-blood humanoids (taller and huskier than we, male and female, the males bearded.
This grand and symbolic scene illustrates an opulent Anunnaki feast in a regal palace. A long banquet table is adorned with roasted meats, golden goblets, and lavish offerings. The Anunnaki, taller and huskier than humans, with bearded males and elegant females, dine while discussing governance and cosmic affairs. To the side, an elaborate procession carries Anunnaki rulers on a grand dais, surrounded by attendants and musicians. The scene highlights how Anunnaki customs transformed into later religious traditions—burnt offerings at an altar, processions of sacred statues, and palaces becoming temples. The background showcases towering temple-like structures with celestial ships hovering in the sky, emphasizing Anunnaki’s extraterrestrial origins and their impact on human civilization.
We look like they look because we are half Anunnaki. Only much later, the Anunnaki were sublimated into cosmic character, status, and mythologized. Breaking the Godspell has seen us go through the stages of abandonment, dissociation, transmutation, religion, rebellion, and recovery. We have been dysfunctionally looking to the sky where they went for some three thousand years, caught in cargo cult religions. We are ready to step out of racial adolescence.
The entire set of world views, theistic, theo-political, cultural, philosophical, and scientific, that purport to explain our genesis, history, and development as a species are about to be replaced as we recover finally from racial amnesia. The Anunnaki hypothesis addresses, explains, and redefines the root source of all the world’s ancient religions on a standard basis so that no particular religion can claim a privileged status.
Over the last 2000 years, we have seen scientific or pseudoscientific doctrines espoused by the various religions being contradicted or demolished, and the religions, repeatedly, although with significant delay, change their positions concerning our genesis, history, evolution, and science and modify their doctrines. However, the new paradigm addresses the very root doctrines, positions, claimed divine franchise, and authority of all the world religions and will eventually cause the obsolescence of all institutionalized religions springing from our ancient relationship of subservience to the Anunnaki.
This image is a powerful and symbolic scene depicting humanity’s transition from religious dogma to enlightenment and self-realization. In the foreground, crumbling temples, fallen religious statues, and sacred texts turning to dust symbolize the decline of institutionalized religions that once dictated human thought. A radiant energy source emerges from the center, representing the new paradigm—a fusion of scientific knowledge, cosmic awareness, and spiritual enlightenment beyond rigid doctrines.
On one side, religious figures in traditional robes struggle to hold onto their ancient texts and institutions, while others gaze in awe, embracing the revelations of this transformative era. Above, celestial ships hover, signifying the influence of extraterrestrial knowledge that has reshaped humanity’s understanding of its origins. In the background, a futuristic city of light rises, representing a world guided by wisdom, free thought, and advanced scientific discovery.
Once worshiped as gods, the Anunnaki now stand in the distance as mere observers, their influence fading as humanity steps into its power and destiny. This composition highlights the inevitable evolution of belief, emphasizing the obsolescence of institutionalized religions that originated from humanity’s ancient servitude to the Anunnaki.
Religion, as we know it, is the transmutation of the Anunnaki-human relationship of master-subject servitude, of slavery, and then limited, subservient partnership, the Godspell. The concept of God, capital G, has gradually developed through the cosmification of the various Anunnaki rulers Enlil (Jehovah/YHWH), Enki (Adonai, the Lord), Allah (El/Nannar/Sin), among others, gradually embellished with the heady concepts of metaphysical speculation. It has lately become a sort of faux ecumenical gloss: the TV news quotes the Koran as saying “There is no God but God” when it should be “There is no god but Allah,” a completely different meaning.
A symbolic and thought-provoking illustration depicts the transformation of the Anunnaki-human relationship into modern religious beliefs. In the foreground, towering Anunnaki rulers—Enlil, Enki, and Nannar—stand over early humans who kneel in servitude, representing the master-subject dynamic that gradually evolved into religious worship.
As the scene progresses, the Anunnaki figures fade into glowing metaphysical symbols, illustrating their transformation into divine entities through centuries of theological embellishment and speculation. Floating scrolls and sacred texts swirl around them, inscribed with references to Jehovah/YHWH, Adonai, and Allah, symbolizing the merging of their identities into a singular cosmic God concept.
Above, a radiant celestial presence emerges, reflecting the theological evolution that cosmified the Anunnaki into omnipotent deities. In the background, a futuristic cityscape filled with illuminated temples, mosques, and churches represents the final stage of religious transformation. Meanwhile, television screens display news quotes misinterpreting religious texts, reinforcing the continued reshaping of divine narratives. Cosmic waves ripple through the sky, symbolizing humanity’s evolving spiritual journey—still tethered to its Anunnaki origins.
The god of the Judeo-Roman Christian tradition, Jehovah YHWH, was – quite possibly still is — the flesh and blood Anunnaki individual, Enlil, eventually cosmified into the absolute creator of the universe, spoken of as infinite love, infinite justice, infinite this or infinite that, through the bishops and the scholastic philosophers and theologians.
A symbolic and thought-provoking illustration depicts the evolution of the Anunnaki-human relationship into modern religious concepts. In the foreground, towering Anunnaki rulers—Enlil, Enki, and Nannar—are portrayed as powerful, flesh-and-blood beings, standing above early humans who kneel before them in servitude. Enlil is clad in regal armor, exuding dominance; Enki symbolizes wisdom and creation with a contemplative expression, while Nannar, draped in celestial robes, embodies divine kingship.
As the scene progresses, it transitions into grand statues and towering temples dedicated to these Anunnaki figures, illustrating their gradual deification over time. Priests and scribes etch new religious doctrines, transforming these once-physical beings into abstract, omnipotent gods. Above, celestial energy radiates, representing the metaphysical speculation that further cosmifies them into the divine concepts of Jehovah/YHWH, Adonai, and Allah.
In the background, a modern cityscape rises, adorned with towering churches, mosques, and temples—symbols of the final stage of this transformation. Glowing screens depict media broadcasts, reinforcing theological misinterpretations that shape contemporary belief systems. Above, an ethereal Anunnaki presence lingers in the sky, watching as humanity remains largely unaware of the source of its religious traditions. This composition powerfully contrasts ancient servitude with contemporary theological abstraction, highlighting the deep-rooted legacy of the Anunnaki in shaping human spirituality and philosophy.
THE CONCEPT OF “GOD”
The idea of a cosmic, infinite principle “God,” as many of us still take it for granted, is a thoroughly mixed composite concept of the sublimation of the anthropomorphic and imperfect Anunnaki individuals, the “deities” of slave code religions, metaphysical abstractions accumulated over time through the speculations of the revered philosophers from the Greeks onward; the Hellenic influenced, theo-philosophical teachings of the Roman Church scholastic tradition and mystics; flavored with the concepts of theists, deists, agnostics, theosophists and mystics of any number of sects; and thoroughly leavened by the concepts of the consciousness expanding disciplines and metaphysical doctrines of the East, sprinkled with our own individual intellectual and emotional subjective variations and usually still conditioned by the Godspell element of subservience.
Description: A symbolic and thought-provoking scene illustrating the evolution of human spirituality from tangible divine rulers to abstract cosmic principles. In the foreground, ancient celestial beings and early divine figures stand tall, representing the origins of spiritual thought. As the scene progresses, these figures begin to dissolve into glowing metaphysical symbols, signifying their transformation from anthropomorphic deities into abstract cosmic ideas.
Surrounding them, floating scrolls and luminous books drift through the air, representing the philosophical contributions of Greek thinkers, Eastern mystics, and modern spiritual scholars. Above, celestial energy swirls into a vast, radiant presence, symbolizing humanity’s evolving understanding of the divine as an infinite cosmic force rather than a singular entity.
In the background, a futuristic cityscape emerges, filled with individuals meditating and contemplating universal consciousness—freed from the constraints of religious dogma and subservience. Cosmic waves ripple through the sky, signifying humanity’s continuous journey toward enlightenment and self-realization. This composition highlights the shift from ancient worship to a more expansive, metaphysical perspective on existence, religious dogma, and subservience constraint.s
But that cosmified, composite, intellectual abstraction is not the Jehovah/YHWH or Jesus of the Judeo-Christian religions, the Prime Mover of Thomas Aquinas or the Omega point of De Chardin, the Allah of the Muslim faith, the Brahma of Hinduism, the Buddha, or the Tao or deity of the religion of your choice.
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ANUNNAKI & ANCIENT ANTHROPOLOGY EVIDENCE, REFERENCES, TIMELINE & WHO’S WHO
Evidence https://wp.me/p1TVCy-1zg
References http://wp.me/p1TVCy-2cq
Timeline http://wp.me/p1TVCy-1Km
Who’s Who http://wp.me/p1TVCy-1PE
NEW STUFF: www.enkispeaks.com
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