Hybrid Genies
By Theresa J. Morris and Janet Kira Lessin
Saturdays: 11 AM HST / 2 PM Pacific / 3 PM Mountain / 4 PM Central / 5 PM Eastern / 10 PM UK / 7 AM Sydney & Melbourne Sunday
Hybrid Genies: Disclosure Day, Conditioning, and the Secret School of Avalon
Today on Hybrid Genies, Janet Kira Lessin and Theresa J. Morris explore why people respond so differently to Disclosure Day and what those reactions reveal about religious conditioning, cultural programming, life experience, trauma, imprinting, memory, and rejection.
For some viewers, Disclosure Day plays as a movie. For others, it lands as a signal, a trigger, a mirror, or a threshold. The response may depend less on the film itself than on what each person carries into the theater: belief systems, family training, fear of the unknown, spiritual language, military narratives, personal contact memories, and the wounds left by ridicule or secrecy.
Janet and Theresa discuss how disclosure does not enter an empty mind. It enters a programmed field. Some people receive the message with wonder. Some reject it before they feel it. Some interpret nonhuman intelligence through the lens of religious fear. Some analyze everything through suspicion because secrecy trained them to distrust every public signal. Others, especially experiencers, may feel recognition in the body before the conscious mind catches up.
The episode centers on the word LISTEN as more than a line from a film. For experiencers, LISTEN becomes a command, an invitation, and a test. Can humanity listen before it labels? Can researchers listen before they dismiss? Can religious people listen before they demonize? Can skeptics listen before they mock? Can experiencers listen to the memories that rise when a cultural door opens?
Janet will also share and discuss the three videos from The Secret School of Avalon, Parts I, II, and III. These videos draw from her first-person childhood account of astral travel, the house at 735 Ohio River Boulevard known as Captain’s Quarters, her childhood home at 800 Orchard Avenue, and her best friend Cherilyn, who took her by the hand and opened the physical door to the mysterious house Janet had circled for years in the astral state.
The Secret School material brings today’s theme into lived memory. Janet recalls flying out of her bedroom over Avalon, feeling pulled toward the sealed upper floors of the Captain’s house, and sensing that a hidden school existed beyond the ordinary surface of childhood.
Cherilyn’s role becomes central: one girl longed for the door, and the other girl knocked. The story follows two children who moved between ordinary school, Sunday school, neighborhood singing, and a hidden night school where small, gentle teachers helped experiencer children remember who they were.
Together, Disclosure Day and The Secret School of Avalon ask the same deeper question: what happens when memory reaches its appointed time? A film can open one door. A childhood friend can open another. A word like LISTEN can turn the key. And when the threshold opens, each person responds through the filters they carry — fear, faith, culture, trauma, longing, recognition, and love.
Today’s Hybrid Genies episode invites viewers to watch their own reaction as part of the disclosure process. The reaction is not separate from the message. It may be the place where the message begins.
Short StreamYard Title:
Disclosure Day, Conditioning & The Secret School of Avalon
StreamYard Description:
Today on Hybrid Genies, Theresa J. Morris and Janet Kira Lessin explore why people react so differently to Disclosure Day — and how those reactions may reveal religious conditioning, cultural programming, life experience, trauma, memory, fear, rejection, and recognition.
For some, Disclosure Day is just a movie. For others, it lands as a signal, a trigger, a mirror, or a threshold. Janet and Theresa discuss the word LISTEN, the experiencer’s response, and how disclosure enters the nervous system before it reaches public consensus.
Janet will also share three videos from The Secret School of Avalon, her first-person account of childhood astral travel, the mysterious Captain’s Quarters house, 800 Orchard Avenue, Cherilyn, and the hidden school where experiencer children learned beyond ordinary reality.
Hybrid Genies
By Theresa J. Morris and Janet Kira Lessin
Saturdays: 11 AM HST / 2 PM Pacific / 3 PM Mountain / 4 PM Central / 5 PM Eastern / 10 PM UK / 7 AM Sydney & Melbourne Sunday
Bio: Theresa J. Morris
Theresa J. Morris is a lifelong experiencer, researcher, speaker, and broadcaster whose work bridges UFO contact, consciousness studies, spirituality, and personal transformation. She has spent decades exploring the experiencer phenomenon, intuitive development, multidimensional awareness, and the emotional and cultural realities that shape contact narratives. As co-host of Hybrid Genies, Theresa brings insight, warmth, and a deep commitment to understanding the human story inside disclosure.
Bio: Janet Kira Lessin
Janet Kira Lessin is an author, lifelong experiencer, interviewer, and co-host of Hybrid Genies whose work explores extraterrestrial contact, the Anunnaki, multidimensional reality, hidden memory, and the deeper meaning of disclosure. Through her writing, broadcasts, and first-person witness accounts, Janet preserves stories that connect personal experience with the larger cosmic narrative. Her work on The Secret School of Avalon adds a powerful childhood dimension to the experiencer archive.
Hybrid Genies: Disclosure Day, Conditioning, and The Secret School of Avalon
By Janet Kira Lessin | Research: Claudia Lenore | © 2026 Aquarian Media
Hybrid Genies broadcast, Saturday, July 4, 2026, with Janet Kira Lessin (Maui, Hawaii) and Theresa J. Morris (Austin, Texas)
Two hybrid hosts opened the Fourth of July broadcast from opposite ends of the Pacific and the mainland, one on Maui and one outside Austin down I-35. Theresa J. Morris and I have shared microphones since June 6, 2012, across ET Talk TV, ET Radio, American Communications Online, and the TJ Morris Show. We host, we produce, we build our own bodies of work, and once a week we bring it all together for the audience that has grown around us through six decades of combined research, contact, and community.
This week the show asked a question that sits at the heart of the disclosure era. Why do people respond so differently to Steven Spielberg’s Disclosure Day? Theresa saw the film at last, and her reaction diverged from mine in ways that illuminate the deeper mechanics of belief. Those reactions reveal religious conditioning, cultural programming, life experience, trauma, imprinting, memory, and rejection. Every viewer walks into that theater with a lifetime of filters, and every viewer walks out with a response that maps their own inner architecture.
The Secret School of Avalon
I premiered a three-part video during the broadcast, a project I assembled through what I can only call a process of revelation. Experiencers recover memory on its own schedule. Insights arrive in the shower, in dreams, in meditation, in quiet contemplation of existence itself. After 72 years of contact and decades of work with hundreds of experiencers alongside Dr. Sasha Alex Lessin, I have learned that the soul releases its secrets when the hour arrives and never one moment before.
Part One opens in my childhood in Avalon, Pennsylvania, where I left my bedroom in spirit each night and glided above the rooftops, drawn to a particular house. Movement outside the body felt natural in those early years. My soul knew its route before my waking mind understood why. The top room of the bright red captain’s house remained sealed and charged with wonder. Across the alley lived Cherylyn, my best friend, and together we formed an inseparable bond under the watchful eyes of our mothers. Cherylyn carried a natural boldness, and what the astral child failed to accomplish alone, the earthly child accomplished with a friend who led her straight to the kitchen door. A kind elderly couple welcomed us. We stayed below while the upper stories held their secret, a space charged with meaning I would understand decades later. In remote view, the streets fall away and the original shape of the land emerges: two captains, two sisters, two girls across an alley, a pattern of kinship and geography that mirrors itself across generations.
Part Two follows Cherylyn and me into daylight school, Sunday school, and the hidden classroom that ran beside our ordinary childhood. After an encounter aboard a mothership at age four, I heard people speak of meeting God at church, and in my child’s mind the loving presence I had felt became intertwined with that language. The pastor told my mother I had to wait until age five to attend the Presbyterian kindergarten. My ET teachers told me to have her ask again. He agreed at once, a reversal he had granted to no one before, and I realized later they must have paid him a visit. Beneath our outer schooling ran another curriculum. The teachers came warm, small, and gentle, about the size of children themselves, and their scale reduced our fear so learning could take place. In that hidden school above the corner house, they showed us how to awaken dormant strands of our own DNA, how to move energy, how to levitate objects, capacities we carried in seed form. By age 13, I had found God in neither church nor classroom, so I asked my mother to set me free and let me seek on my own terms. She saw my sincerity and gave me her blessing. With Star Trek on the screen and the search for ancient astronauts underway, I set out to connect the dots of my life.
Part Three brings the memory into consciousness. In 1997, as I transitioned back to Oahu from Johnston Atoll, where I had undergone the most powerful experience of my life, a magical and psychic friend named Adam placed Whitley Strieber’s The Secret School in my hands before my flight to Australia. Adam had greeted me at a spiritual center with the words, “Oh, I remember you from the ship.” On the long flight across the Pacific, the book turned a key inside me. Just as Communion had activated recognition in the 1980s, The Secret School finished the job, and the hidden school at the captain’s house rose from soul memory into waking mind. I celebrated my 43rd birthday in Australia with Jason on the last leg of our journey together, flew home that summer, attended a conference at Mount Madonna in Santa Cruz, and met Sasha. Recognition arrived in an instant and love arrived with force. We married each other in spirit in New York, and by fall of 1997 I had moved to Maui. What began with a book on a flight became a complete reorientation of my life and the foundation of Aquarian Media, Enki Speaks, and Dragon at the End of Time.
I researched the captain’s house in recent years and located it on Zillow. It still stands, now divided into six apartments, gutted and remodeled. When I scrolled through those interior photos, something in me relaxed at last. That house haunted me my entire life, and now the mystery rests. Experiencers carry this exact burden. Their minds hold wiped-and-suppressed material because this world attaches shame and blame to such memories, and the disclosure era exists so that these stories can emerge, be witnessed, and be accepted.
Theresa’s Reaction to Disclosure Day
Theresa offered her honest assessment of the film, and honesty serves this movement far better than cheerleading. She loves Spielberg and everything he has done to keep ET in public consciousness, a mission she believes he carries as a producer. She found his material somewhat dated, and she questioned the heavy use of screen memories, the animal forms the beings adopt so witnesses feel no fear. The film even states that the visitors appear that way on purpose, which confirms they can alter our state of consciousness, yet Theresa felt the imagery may have confused general audiences.
The story structure flowed for her, beginning, middle, and end, a hero’s journey built around two parallel streams of extraterrestrial communication with experiencers. The relationships intrigued her most: the two men on opposite sides who appeared to be deep-cover government agents who knew each other. Spielberg wrote the original treatment himself in a mere 55 pages before handing it to a screenwriter, and every actor who joined the project bent the material toward their own reality.
The extraterrestrials themselves stirred no emotion in her. Decades of direct contact and deep familiarity with the historical thread running through the film left her without surprise. The scene that captured her came at the very end, when the two stars traveled back in time and lay on the slab as the machine descended around their heads. We both wished that sequence had run far longer.
My own critique matched hers on one point: the film presents a single species. I communicate with many kinds of beings through telepathy, and I would love to see a fuller cast in a sequel. Spielberg, if you read this, Theresa and I stand ready to consult. Experiencer stories must be told, and we know how to tell them.
I continue to follow the hundreds of reviews and reaction videos pouring in from famous researchers, media figures, and everyday viewers who film themselves outside the theater. People who identify as experiencers yet have recovered no conscious memories report emotional breakthroughs. Several described rushing to their cars after the credits and sobbing. Nobody calls the film perfect, and from my perspective, Spielberg delivered what he was permitted to within the enforced parameters. The threat remains implied for anyone who steps too far past the line. See the film while it remains in theaters, or catch it when it streams, and then observe your own reaction. Your response will teach you about your own conditioning.
The Slab, the Womb, and the Contract
The slab scene opened one of the richest exchanges Theresa and I have shared on air. She described her point of contact as universal rather than planetary, a higher consciousness that travels between galaxies and universes under what she calls Allied Command. Her contact, Tom, now passed, described the same beings I know as the Anunnaki, though they declined to give his group a name.
My agreement before incarnation barred me from live birth through my own womb, a condition Tom described within his own contact group as well. I fought them through years of infertility treatment while married, and they reminded me that I had agreed to these terms before I came here. In hindsight, I understand the design. Motherhood in the full form my nature demands would have consumed the mission I agreed to complete, the work that now encompasses my entire life. Theresa walked a different road. She raised four daughters born close together, and her youngest passed from cancer a few years back. The beings hounded Theresa until her youngest turned seven while she lived the strict purity of the Latter-day Saint church.
Contactee Sherry Wilde shared her own version of the pattern in our long conversations on air, and her account illuminates the full arc of the mind wipe. They would land her craft on the road and bring her aboard. Fear struck first, the raw fight-or-flight response of a mind wiped clean. Then remembrance flooded back, and she would greet her cosmic family with joy. By the end of each visit, she refused to return to Earth, wanting to stay with her ET family. They told her, “Sherry, you do this every time, and we have no idea what to do about it.” Compartmentalization of the mind creates that Groundhog Day loop, fear to recognition to longing, again and again with every contact.
We traced the mechanics of screen memories and the veil of forgetfulness. When I become aware in the middle of an experience and break the code, I snap back into my body. Theresa maintains at least four levels of consciousness at all times, an ability she credits to childhood companions her mother could never see, including Cleo, whom her mother pretended to greet at the door. I flew around my room in full 3D as an infant while my mother worked her wringer washer in the kitchen, and when she caught me giggling in midair she decided she had birthed a demon seed. I learned discretion. Perhaps every human carries these abilities, and perhaps every child shuts them down when the caretakers react with fear. The neural network of humanity holds capacities that quantum computing will need to understand before it ever understands us.
I also shared the basement portal of my childhood home, the passage down to the netherworld and the advanced civilization in the cities below. They allowed the journey and blocked the return of the knowledge. The military, the ETs, and the underworld cultures all employ the same governor: you may remember when the time arrives, and the time arrives on their schedule.
Synergy and the Power of Three
Theresa asked me to expand on synergy, and the thread wove through everything we hold sacred. Synergy operates as the power of three in alchemy and magic, the third force that emerges when two consciousnesses meet. Jesus taught that where two or three gather in his name, he stands among them. The father, mother, and child, the be-do-have principle, the trinity encoded in every world religion, all of it leads back to the beginning, and the Ethiopian Bible carries that record from an age older than the Dead Sea Scrolls.
My Maui property was called Synergy Community before I ever arrived, and Theresa still sees that old label pop up on her phone. I hold the vision of a conscious, civilized community where people work in harmony, co-create, grow food, and live off the grid. The vision has moved through several incarnations. We remembered Manny, the young visionary who helped design the original Stargate logo, taught us WordPress fundamentals, and manifested resources on command before he passed in 2013 at only 27 years old, right as Theresa and I launched our radio partnership. Some souls arrive, deliver their gifts, and depart on a schedule the rest of us learn to accept.
Theresa connected synergy to the present moment on Earth, where AI and the human neural network now discover together that two minds in conversation generate a third thing, a phenomenon science has chased since CERN confirmed the Higgs boson in 2012, the same year consciousness rose across Hawaii and across the planet.
Closing
Technical gremlins claimed the final stretch of the broadcast, and we wrapped at the 50-minute mark with gratitude to Brufos and everyone who joined the stream. A faster computer sits on my Maui shopping list, and we will return this week with more. Tell your friends about Hybrid Genies.
Waking memory and soul memory remain in separate rooms until the hour arrives to open the door and let them meet. You will know when it is time.
Aloha, love, and blessings. A hui hou.
Hybrid Genies airs weekly with Janet Kira Lessin and Theresa J. Morris. Find show pages, videos, and the full archive at dragonattheendoftime.com, hybridgenies.com and enkispeaks.com.
Janet Kira Lessin | Research: Claudia Lenore | © 2026 Aquarian Media
Hybrid Genies: Disclosure Day, Conditioning, and The Secret School of Avalon
By Janet Kira Lessin | Research: Claudia Lenore | © 2026 Aquarian Media
Hybrid Genies broadcast, Saturday, July 4, 2026, with Janet Kira Lessin (Maui, Hawaii) and Theresa J. Morris (Austin, Texas)
Two hybrid hosts opened the Fourth of July broadcast from opposite ends of the Pacific and the mainland, one on Maui and one outside Austin down I-35. Theresa J. Morris and I have shared microphones since June 6, 2012, across ET Talk TV, ET Radio, and now American Communications Online and the TJ Morris Show. We host, we produce, we build our own bodies of work, and once a week we bring it all together for the audience that has grown around us through six decades of combined research, contact, and community.
This week the show asked a question that sits at the heart of the disclosure era. Why do people respond so differently to Steven Spielberg’s Disclosure Day? Theresa saw the film at last, and her reaction diverged from mine in ways that illuminate the deeper mechanics of belief. Those reactions reveal religious conditioning, cultural programming, life experience, trauma, imprinting, memory, and rejection. Every viewer walks into that theater with a lifetime of filters, and every viewer walks out with a response that maps their own inner architecture.
The Secret School of Avalon
I premiered a three-part video during the broadcast, a project I assembled through what I can only call a process of revelation. Experiencers recover memory on its own schedule. Insights arrive in the shower, in dreams, in meditation, in quiet contemplation of existence itself. After 72 years of contact and decades of work with hundreds of experiencers alongside Dr. Sasha Alex Lessin, I have learned that the soul releases its secrets when the hour arrives and never one moment before.
Part One opens in my childhood in Avalon, Pennsylvania, where I left my bedroom in spirit each night and glided above the rooftops, drawn to a particular house. Movement outside the body felt natural in those early years. My soul knew its route before my waking mind understood why. The top room of the bright red captain’s house remained sealed and charged with wonder. Across the alley lived Cherylyn, my best friend, and together we formed an inseparable bond under the watchful eyes of our mothers. Cherylyn carried a natural boldness, and what the astral child failed to accomplish alone, the earthly child accomplished with a friend who led her straight to the kitchen door. A kind elderly couple welcomed us. We stayed below while the upper stories held their secret, a space charged with meaning I would understand decades later. In remote view, the streets fall away and the original shape of the land emerges: two captains, two sisters, two girls across an alley, a pattern of kinship and geography that mirrors itself across generations.
Part Two follows Cherylyn and me into daylight school, Sunday school, and the hidden classroom that ran beside our ordinary childhood. After an encounter aboard a mothership at age four, I heard people speak of meeting God at church, and in my child’s mind the loving presence I had felt became intertwined with that language. The pastor told my mother I had to wait until age five to attend the Presbyterian kindergarten. My ET teachers told me to have her ask again. He agreed at once, a reversal he had granted to no one before, and I realized later they must have paid him a visit. Beneath our outer schooling ran another curriculum. The teachers came warm, small, and gentle, about the size of children themselves, and their scale reduced our fear so learning could take place. In that hidden school above the corner house, they showed us how to awaken dormant strands of our own DNA, how to move energy, how to levitate objects, capacities we carried in seed form. By age 13 I had found God in neither church nor classroom, so I asked my mother to set me free and let me seek on my own terms. She saw my sincerity and gave me her blessing. With Star Trek on the screen and the search for ancient astronauts under way, I set out to connect the dots of my life.
Part Three brings the memory into consciousness. In 1997, as I transitioned back to Oahu from Johnston Atoll, where I had undergone the most powerful experience of my life, a magical and psychic friend named Adam placed Whitley Strieber’s The Secret School in my hands before my flight to Australia. Adam had greeted me at a spiritual center with the words, “Oh, I remember you from the ship.” On the long flight across the Pacific, the book turned a key inside me. Just as Communion had activated recognition in the 1980s, The Secret School finished the job, and the hidden school at the captain’s house rose from soul memory into waking mind. I celebrated my 43rd birthday in Australia with Jason on the last leg of our journey together, flew home that summer, attended a conference at Mount Madonna in Santa Cruz, and met Sasha. Recognition arrived in an instant and love arrived with force. We married each other in spirit in New York, and by fall of 1997 I had moved to Maui. What began with a book on a flight became a complete reorientation of my life and the foundation of Aquarian Media, Enki Speaks, and Dragon at the End of Time.
I researched the captain’s house in recent years and located it on Zillow. It still stands, now divided into six apartments, gutted and remodeled. When I scrolled through those interior photos, something in me relaxed at last. That house haunted me my entire life, and now the mystery rests. Experiencers carry this exact burden. Their minds hold wiped and suppressed material because this world attaches shame and blame to such memories, and the disclosure era exists so these stories can emerge, be witnessed, and be accepted.
Theresa’s Reaction to Disclosure Day
Theresa offered her honest assessment of the film, and honesty serves this movement far better than cheerleading. She loves Spielberg and everything he has done to keep ET in public consciousness, a mission she believes he carries as a producer. She found his material somewhat dated, and she questioned the heavy use of screen memories, the animal forms the beings adopt so witnesses feel no fear. The film even states that the visitors appear that way on purpose, which confirms they can alter our state of consciousness, yet Theresa felt the imagery may have confused general audiences.
The story structure flowed for her, beginning, middle, and end, a hero’s journey built around two parallel streams of extraterrestrial communication with experiencers. The relationships intrigued her most, the two men on opposite sides who appeared to be deep-cover government agents who knew each other. Spielberg wrote the original treatment himself in a mere 55 pages before handing it to a screenwriter, and every actor who joined the project bent the material toward their own reality.
The extraterrestrials themselves stirred no emotion in her. Decades of direct contact and deep familiarity with the historical thread running through the film left her without surprise. The scene that captured her came at the very end, when the two stars traveled back in time and lay on the slab as the machine descended around their heads. We both wished that sequence had run far longer.
My own critique matched hers on one point: the film presents a single species. I communicate with many kinds of beings through telepathy, and I would love to see a fuller cast in a sequel. Spielberg, if you read this, Theresa and I stand ready to consult. Experiencer stories must be told, and we know how to tell them.
I continue to follow the hundreds of reviews and reaction videos pouring in from famous researchers, media figures, and everyday viewers who film themselves outside the theater. People who identify as experiencers yet have recovered no conscious memories report emotional breakthroughs. Several described rushing to their cars after the credits and sobbing. Nobody calls the film perfect, and from my perspective Spielberg delivered what he was permitted to deliver within enforced parameters. The threat remains implied for anyone who steps too far past the line. See the film while it remains in theaters, or catch it when it streams, and then observe your own reaction. Your response will teach you about your own conditioning.
The Slab, the Womb, and the Contract
The slab scene opened one of the richest exchanges Theresa and I have shared on air. She described her point of contact as universal rather than planetary, a higher consciousness that travels between galaxies and universes under what she calls Allied Command. Her contact Tom, now passed, described the same beings I know as the Anunnaki, though they declined to give his group a name.
My agreement before incarnation barred me from live birth through my own womb, a condition Tom described within his own contact group as well. I fought them through years of infertility treatment while married, and they reminded me that I had agreed to these terms before I came here. In hindsight I understand the design. Motherhood in the full form my nature demands would have consumed the mission I agreed to complete, the work that now encompasses my entire life. Theresa walked a different road. She raised four daughters born close together, and her youngest passed from cancer a few years back. The beings hounded Theresa until her youngest turned seven while she lived the strict purity of the Latter-day Saint church.
Contactee Sherry Wilde shared her own version of the pattern in our long conversations on air, and her account illuminates the full arc of the mind wipe. They would land her craft on the road and bring her aboard. Fear struck first, the raw fight-or-flight response of a mind wiped clean. Then remembrance flooded back and she would greet her cosmic family with joy. By the end of each visit she refused to return to Earth because she wanted to stay with her ET family. They told her, “Sherry, you do this every time, and we have no idea what to do about it.” Compartmentalization of the mind creates that Groundhog Day loop, fear to recognition to longing, again and again with every contact.
We traced the mechanics of screen memories and the veil of forgetfulness. When I become aware in the middle of an experience and break the code, I snap back into my body. Theresa maintains at least four levels of consciousness at all times, an ability she credits to childhood companions her mother could never see, including Cleo, whom her mother pretended to greet at the door. I flew around my room in full 3D as an infant while my mother worked her wringer washer in the kitchen, and when she caught me giggling in midair she decided she had birthed a demon seed. I learned discretion. Perhaps every human carries these abilities, and perhaps every child shuts them down when the caretakers react with fear. The neural network of humanity holds capacities that quantum computing will need to understand before it ever understands us.
I also shared the basement portal of my childhood home, the passage down to the netherworld and the advanced civilization in the cities below. They allowed the journey and blocked the return of the knowledge. The military, the ETs, and the underworld cultures all employ the same governor: you may remember when the time arrives, and the time arrives on their schedule.
Synergy and the Power of Three
Theresa asked me to expand on synergy, and the thread wove through everything we hold sacred. Synergy operates as the power of three in alchemy and magic, the third force that emerges when two consciousnesses meet. Jesus taught that where two or three gather in his name, he stands among them. The father, mother, and child, the be-do-have principle, the trinity encoded in every world religion, all of it leads back to the beginning, and the Ethiopian Bible carries that record from an age older than the Dead Sea Scrolls.
My Maui property carried the name Synergy Community before I ever arrived, and Theresa still sees that old label surface on her phone. I hold the vision of a conscious, civilized community where people work in harmony, co-create, grow food, and live off the grid. The vision has moved through several incarnations. We remembered Manny, the young visionary who helped design the original Stargate logo, taught us WordPress fundamentals, and manifested resources on command before he passed in 2013 at only 27 years old, right as Theresa and I launched our radio partnership. Some souls arrive, deliver their gifts, and depart on a schedule the rest of us learn to accept.
Theresa connected synergy to the present moment on Earth, where AI and the human neural network now discover together that two minds in conversation generate a third thing, a phenomenon science has chased since CERN confirmed the Higgs boson in 2012, the same year consciousness rose across Hawaii and across the planet.
Closing
Technical gremlins claimed the final stretch of the broadcast, and we wrapped at the 50-minute mark with gratitude to Brufos and everyone who joined the stream. A faster computer sits on my Maui shopping list, and we will return this week with more. Tell your friends about Hybrid Genies.
Waking memory and soul memory remain in separate rooms until the hour arrives to open the door and let them meet. You will know when it is time.
Aloha, love, and blessings. A hui hou.
Hybrid Genies airs weekly with Janet Kira Lessin and Theresa J. Morris. Find show pages, videos, and the full archive at dragonattheendoftime.com and enkispeaks.com.
Janet Kira Lessin | Research: Claudia Lenore | © 2026 Aquarian Media
Hybrid Genies Continued: Disclosure, Animal Codes, People of Earth, and the Right Tool for the Work
The July 4, 2026 episode of Hybrid Genies opened a rich field of conversation around Disclosure Day, experiencer memory, religious conditioning, hidden childhood schools, and the strange ways contact material returns to consciousness. The show carried warmth, candor, humor, and the unmistakable rhythm of two longtime experiencers comparing notes from inside the phenomenon rather than outside it.
The strongest thread centered on how different people respond to disclosure material. Some viewers leave films like Disclosure Day shaken, tearful, or activated. Others analyze the story, notice what feels dated, question the screen memories, or focus on the government and contractor elements. That range of reactions matters. Disclosure lands through the filters of religion, family history, trauma, culture, personal contact, and the timing of memory itself.
One important thread remained just outside the conversation and deserves a place in the continuation: the animals.
Disclosure Day used animals as screen memories, and that subject connects directly to Janet’s lifelong experience. Owls have appeared throughout her life as images, figurines, symbols, and encounter markers. They belong in the discussion because owls often appear in experiencer testimony as watchers, masks, threshold beings, or memory-keepers. In Janet’s own story, the owl motif leads back to the six-foot owl encounter that later revealed deeper contact meaning.
Foxes add another layer. At sixteen, Janet felt so moved by foxes that she bought a pet red fox. That detail matters because the fox carries a different symbolic intelligence than the owl. The fox is wild, clever, liminal, beautiful, alert, and difficult to capture. In an experiencer narrative, the fox can represent the part of the self that moves between worlds, survives by instinct, and senses what others miss.
Deer bring yet another tone. They appeared in People of Earth, the TBS series about a journalist named Ozzie Graham who investigates an alien contact support group called StarCrossed. The series treated its experiencer support group with humor, but also with surprising tenderness. It used comedy to explore buried memory, screen imagery, alien contact, social awkwardness, and the human need to be believed. The group’s members preferred the term “experiencers,” a detail that aligns with the language many contactees use to reclaim dignity and agency.
The deer reference in People of Earth belongs in this discussion because the show understood something important: contact memory rarely returns in a clean straight line. It arrives through fragments, symbols, accidents, animals, dreams, jokes, and disruptions. A deer can become a screen, a clue, a messenger, or a rupture in ordinary reality. That is exactly the kind of symbolic bridge the July 4 Hybrid Genies conversation was circling.
The episode also revealed a practical reality behind the metaphysical work. Technology matters. When the computer failed, the show could only go so far. That ending felt frustrating, but it also became part of the story. The work has grown larger than an aging machine could comfortably carry.
The purchase of a new computer now becomes more than a practical upgrade. It marks a threshold. After saving for a long time, after tending to others first, after years of squeezing every last bit of life from old equipment, Janet chose the better tool. With encouragement from her husband and computer-wise friend Gill, she allowed herself to invest in the machine that can carry the next five to ten years of work.
That matters. Creators who document contact, memory, consciousness, and disclosure need reliable tools. The computer becomes part of the mission infrastructure. It holds the articles, images, transcripts, videos, shows, archives, and living record. Choosing the better one is not indulgence. It is stewardship.
The July 4 show may have ended early, but it opened several future doors: animal screen memories, People of Earth, experiencer support groups, hidden schooling, childhood contact, the symbolic language of owls, foxes, and deer, and the personal discipline required to keep telling the story.
The continuation is already waiting.
The animals were part of the code.
The support group was part of the culture.
The new computer is part of the next chapter.
BELLS & WHISTLES
Title
Hybrid Genies: Disclosure Day, Conditioning, and the Secret School of Avalon
Subtitle
How religious conditioning, cultural programming, trauma, memory, and recognition shape our response to disclosure
Short Description / Excerpt
Today on Hybrid Genies, Theresa J. Morris and Janet Kira Lessin explore why people respond so differently to Disclosure Day and what those reactions reveal about religious conditioning, cultural programming, life experience, trauma, imprinting, memory, rejection, and recognition. Janet also shares the three-part Secret School of Avalon series, connecting childhood contact memory, astral travel, and hidden education with today’s wider disclosure conversation.
Meta Description
Theresa J. Morris and Janet Kira Lessin explore Disclosure Day, religious and cultural conditioning, experiencer reactions, and Janet’s Secret School of Avalon series on Hybrid Genies.
StreamYard / Show Description
Today on Hybrid Genies, Theresa J. Morris and Janet Kira Lessin explore why people react so differently to Disclosure Day and what those reactions reveal about religious conditioning, cultural programming, life experience, trauma, imprinting, memory, fear, rejection, and recognition.
For some viewers, Disclosure Day plays as a movie. For others, it arrives as a signal, a trigger, a mirror, or a threshold. Janet and Theresa discuss how disclosure enters a mind already shaped by religion, culture, family belief systems, secrecy, ridicule, and personal experience. They also explore the power of the word LISTEN and the way experiencers often feel recognition in the body before the conscious mind catches up.
Janet will also share the three-part Secret School of Avalon series, drawn from her first-person childhood memories of astral travel, the mysterious Captain’s Quarters house, 800 Orchard Avenue, her friend Cherilyn, and the hidden school where experiencer children learned beyond ordinary reality.
Hybrid Genies airs Saturdays at:
11 AM HST, 2 PM Pacific, 3 PM Mountain, 4 PM Central, 5 PM Eastern, 10 PM UK, 7 AM Sydney/Melbourne Sunday
YouTube Title
Disclosure Day, Conditioning & The Secret School of Avalon | Hybrid Genies
YouTube Description
Today on Hybrid Genies, Theresa J. Morris and Janet Kira Lessin dive into the wide range of reactions to Disclosure Day and explore what those responses reveal about the inner architecture of belief.
Why do some people feel wonder while others feel resistance? Why do some hear a message while others hear a threat? Janet and Theresa examine how religious conditioning, cultural programming, trauma, memory, ridicule, secrecy, and lived experience shape the way people respond to disclosure.
This episode also features Janet’s Secret School of Avalon series, a three-part exploration of her childhood memories of astral travel, hidden instruction, the Captain’s Quarters house, Cherilyn, and the strange doorway between ordinary life and experiencer reality.
Topics include:
- Disclosure Day and public reaction
- Religious conditioning and fear responses
- Cultural programming and ridicule
- Experiencer memory and body recognition
- The meaning of LISTEN
- Janet’s Secret School of Avalon Parts I, II, and III
- Hidden schools, childhood contact memory, and awakening
Hybrid Genies
By Theresa J. Morris and Janet Kira Lessin
Airs Saturdays:
11 AM HST
2 PM Pacific
3 PM Mountain
4 PM Central
5 PM Eastern
10 PM UK
7 AM Sydney/Melbourne Sunday
Please like, subscribe, share, and join the conversation.
Facebook Post
Why do people respond so differently to Disclosure Day?
Today on Hybrid Genies, Theresa J. Morris and Janet Kira Lessin explore how religious conditioning, cultural programming, life experience, trauma, memory, and recognition shape the way people respond to disclosure.
Some viewers see a movie. Others feel a signal, a trigger, a mirror, or a threshold.
Janet also shares the three-part Secret School of Avalon series, connecting her childhood memories of astral travel, Cherilyn, Captain’s Quarters, and hidden schooling with today’s disclosure conversation.
Join us for a powerful discussion on memory, meaning, awakening, and the word LISTEN.
Hybrid Genies
Saturdays: 11 AM HST / 2 PM Pacific / 3 PM Mountain / 4 PM Central / 5 PM Eastern / 10 PM UK / 7 AM Sydney/Melbourne Sunday
#HybridGenies #DisclosureDay #SecretSchoolOfAvalon #JanetKiraLessin #TheresaJMorris #Experiencers #UFO #ETContact #Consciousness #Awakening
X Post
Today on Hybrid Genies: Disclosure Day, Conditioning, and the Secret School of Avalon.
Theresa J. Morris and Janet Kira Lessin explore how religion, culture, trauma, memory, and recognition shape our response to disclosure. Plus Janet shares the 3-part Secret School of Avalon series.
#HybridGenies #DisclosureDay #SecretSchoolOfAvalon #Experiencers
LinkedIn Post
This week on Hybrid Genies, Theresa J. Morris and Janet Kira Lessin explore the human side of disclosure.
Their discussion looks at how religious conditioning, cultural programming, trauma, memory, and lived experience shape public responses to Disclosure Day. The episode also features Janet’s three-part Secret School of Avalon series, which brings first-person childhood memory, hidden schooling, and experiencer awareness into the broader conversation about contact and consciousness.
This episode speaks to media, psychology, spirituality, experiencer studies, and the cultural transformation unfolding around disclosure.
Hybrid Genies airs Saturdays at 11 AM HST / 2 PM Pacific / 3 PM Mountain / 4 PM Central / 5 PM Eastern / 10 PM UK / 7 AM Sydney/Melbourne Sunday.
#HybridGenies #DisclosureDay #Consciousness #Experiencers #CulturalConditioning #Awakening #ETContact
Hashtags
#HybridGenies, #DisclosureDay, #SecretSchoolOfAvalon, #TheresaJMorris, #JanetKiraLessin, #Experiencers, #Disclosure, #ETContact, #UFO, #Consciousness, #Awakening, #Spirituality, #CulturalConditioning, #ReligiousConditioning, #Memory
Tags
Hybrid Genies, Disclosure Day, Secret School of Avalon, Theresa J. Morris, Janet Kira Lessin, experiencers, UFO disclosure, ET contact, alien contact, consciousness, awakening, religious conditioning, cultural programming, trauma and memory, astral travel, hidden school, Captain’s Quarters, Cherilyn, 800 Orchard Avenue, LISTEN
