Disclosure Day on the Screen, Disclosure Day on the Capitol Lawn
Hybrid Genies with Janet Kira Lessin & Theresa J. Morris
Saturday, June 13, 2026 · 11 AM HST / 1 PM AKDT / 2 PM PDT / 3 PM MDT / 4 PM CDT / 5 PM EDT
Research: Claudia Lenore · Aquarian Media
This week, Disclosure Day happened twice. Steven Spielberg released his film about the moment humanity learns the truth, and three days earlier, a whistleblower and four members of Congress stood on the Capitol steps and demanded that same truth from the government in power. One Disclosure Day runs cinematic. The other runs political. Two lifelong experiencers hold them side by side and ask the question neither one answers: who keeps getting left out of the story?
In this episode:
- The media wave that carried us here, from Spielberg’s SXSW confession to Obama’s podcast comment to the Capitol lawn.
- Disclosure Day, the film: the praise, the four-track plot, and the single-word ending, spoiler-aware.
- Disclosure Day, the press conference: David Grusch, four lawmakers, three demands, and a portal with a billion users.
- The story skips both stages: the millions of lifelong experiencers, the ancient record, and the anomalies that cover the planet.
- Your experiencer round table: open mics, open contact, open questions.
Watch/listen live: [StreamYard link] · Replay on Aquarian Media and Substack.
#DisclosureDay #Spielberg #UAPDisclosure #Grusch #UAPDisclosureAct #UFO #UAP #Experiencer #Contact #Anunnaki #AncientAliens #AquarianMedia #HybridGenies
Disclosure Day on the Screen, Disclosure Day on the Capitol Lawn
by Janet Kira Lessin | Research: Claudia Lenore | © 2026 Aquarian Media
Two events share the same week and the same name. On June 12, Steven Spielberg releases Disclosure Day, his film about the moment humanity learns the truth. Three days earlier, on June 9, a whistleblower and four members of Congress climbed the steps of the United States Capitol and demanded that same truth from the government in power. One Disclosure Day runs cinematic; the other runs political. One opens in theaters; the other opens on the steps of Congress. Together, they signal that the wall of secrecy may crack in public view.
Spielberg lit the fuse himself. At South by Southwest on March 13, he sat with podcaster Sean Fennessey and told a live audience that he holds a strong suspicion we share the Earth with others right now, and that he built a movie around that very idea.
He thanked President Obama for the timing. Obama had called alien life real on a podcast, then walked the comment back two days later to life somewhere in the cosmos, and Spielberg seized the gift, saying the moment served the film.
From there, the story moved like fire through dry brush. The trailer reached a mass audience, Obama’s comment gave the subject oxygen, and Trump’s reaction threw fuel on the flames and turned a podcast exchange into a political flashpoint. Podcasts carried it, late-night turned it into open theater, news panels chewed on it, and UAP channels dissected it. Whistleblower groups drew courage from the attention.
Congress felt the pressure and answered; the hearings fed the media cycle, the agencies released files, and the film fed the public imagination, sending fresh witnesses to the surface. One story became ten, ten became a hundred, a whistleblower became a hearing, a hearing became a headline, a headline became a family conversation, and a family conversation became one more person who said at last, ” This happened to me too.
The wave reached the Capitol lawn on June 9. David Grusch, a former intelligence officer, stood before the cameras with Representatives Burlison, Luna, Burchett, and Moskowitz, and with journalist Leslie Kean and filmmaker James Fox at their side. They made three asks: release the files, protect the whistleblowers, and pass the UAP Disclosure Act.
Grusch accused the Defense Intelligence Agency of hiding billions and obstructing Congress, and he described drone footage of a craft off the coast of Yemen that reached him through a dead drop. Behind all of it sat one staggering number: the PURSUE portal, which opened in May, drew more than a billion users worldwide. The appetite spans the whole planet.
Here, my six decades within the phenomenon raise the questions that both the screen and the Capitol leave on the table.
The contactees both stages skip. Spielberg builds his miracle around two engineered conduits. The Capitol builds its case around pilots, sensors, and recovered craft. Both frames skip the millions of us who carry lifelong contact, from infancy through old age, across every culture on Earth. A meteorologist who wakes to a new language makes fine cinema. A global community that has lived in contact for generations makes history. The story belongs to those who live it, and they deserve a seat at every table.
The eighty thousand years before Roswell. The film starts in 1947. The lawmakers started it in the modern intelligence era. The deeper record runs far past both. It reaches through the Sumerian tablets, the watchers of Genesis, and the sky-teachers that cultures from the Dogon to the Maya honored. Our ancestors described other-than-human intelligence with the calm of people who reported the weather, and they carved that knowledge into stone that still stands. A declassified clip from off the coast of Yemen matters. The origin of our species matters more.
From files to meaning. Government records show a craft. They struggle to show a relationship. The contact community holds the part the documents miss: the lived encounter, the message, the shift in consciousness that follows. The files now race to catch up with the testimony of ordinary people who carried this knowing for decades.
Two doors, one horizon. What began as sparks became a wildfire, and the wildfire became a wave that now reaches all of us. Disclosure Day on the screen ends with a single moving word. Disclosure Day on the Capitol lawn ends with a stack of demands and a waiting president. Both point at the same horizon. Both stop short of the deepest truth. That truth lives with the experiencers, in the ancient record, and in the anomalies that cover this planet. The screen opened a door for millions. The Capitol cracked another. We walk through both, and we carry the rest of the story with us.
Join Janet Kira Lessin and Theresa J. Morris this Saturday, June 13, 2026, on Hybrid Genies as we hold the screen and the Capitol side by side and tell the part both of them leave out.
HOST SCRIPT / RUN OF SHOW
DISCLOSURE DAY — HYBRID GENIES — HOST SCRIPT
Saturday, June 13, 2026 · 11 AM HST / 5 PM ET · Live, two-host
Hosts: Janet Kira Lessin & Theresa J. Morris · Research: Claudia Lenore
PREP NOTES FOR THERESA (please read before Saturday)
- The frame: “Disclosure Day” happened twice this week. Spielberg’s film opened on June 12. A real press conference on the Capitol steps took place on June 9. We hold the two side by side.
- Your lanes: you anchor audience engagement and the experiencer round table; Janet carries the film and the deep-history pillars. Jump in with your own contact stories anytime.
- Please bring: one personal contact story you’re willing to share on air, and one gut reaction to the Grusch press conference.
- Three accuracy guardrails (frame these as opinions, never as settled facts): no Rotten Tomatoes score exists yet, the public will see the film in full starting June 12, and any detailed spoiler ending remains a rumor until we watch it ourselves.
PRE-SHOW CHECKLIST
- StreamYard live, banners, and lower-thirds loaded for both hosts.
- Slides queued (see deck).
- Mic and level check 15 minutes prior.
- Backup plan: if a feed drops, Janet continues solo from this script.
RUN OF SHOW (90 minutes)
COLD OPEN — 0:00 to 4:00
JANET: Aloha, and welcome to Hybrid Genies. I’m Janet Kira Lessin.
THERESA: And I’m Theresa J. Morris.
JANET: This week, Disclosure Day happened twice. Once on Steven Spielberg’s movie screen, and once on the steps of the U.S. Capitol. Tonight we hold both up to the light, and we ask the question neither one answers. Who keeps getting left out of the story?
THERESA (to chat): Tell us in the comments. Where were you when you first knew we are not alone? We read your answers later in the hour.
BLOCK 1 — HOW WE GOT HERE: THE WAVE — 4:00 to 20:00 — [Janet leads]
JANET opener: Before either Disclosure Day, there was a spark. Spielberg lit it himself.
Talking points: SXSW March 13, the “strong sneaking suspicion that we are not alone” quote; Obama’s alien comment and the two-day walk-back; Spielberg thanking Obama for the timing; the trailer reaching the masses; Trump’s reaction turning it into a flashpoint; the loop from podcasts to Congress.
JANET line: Sparks became a wildfire, and the wildfire became a wave.
HANDOFF: Theresa, where were you when you first felt the culture turn on this?
THERESA: [share reaction / first awareness]
BLOCK 2 — DISCLOSURE DAY ON THE SCREEN — 20:00 to 36:00 — [Janet leads, fresh from Friday]
JANET opener: I saw it last night. Here is the honest praise first.
Talking points: Emily Blunt’s career-best turn; the John Williams score; the car-meets-train sequence; the single-word ending critics call unforgettable. Then the verified four-track plot: Margaret the meteorologist, Daniel the hunted whistleblower, Hugo and his defectors, the corporation Wardex.
GUARDRAIL (say aloud): No spoiler ending as fact. We honor the mystery.
HANDOFF: Theresa, ask me the question a first-time viewer would ask.
THERESA scripted question: For someone who has never followed any of this, what does the film actually claim is real?
BLOCK 3 — DISCLOSURE DAY ON THE CAPITOL LAWN — 36:00 to 52:00 — [Janet walks facts; Theresa reacts]
JANET opener: Three days before the premiere, the real thing happened on the Capitol steps.
Talking points: June 9 press conference; David Grusch with Reps. Burlison, Luna, Burchett, Moskowitz; hosts Leslie Kean and James Fox; the three demands and the UAP Disclosure Act; the DIA accusation; the Yemen drone footage; the PURSUE portal and its billion users. Then the official caution: “unidentified” does not mean “alien.”
HANDOFF: Theresa, what does it feel like to watch Washington catch up to what experiencers said decades ago?
THERESA: [reaction]
BLOCK 4 — THE STORY BOTH STAGES SKIP — 52:00 to 74:00 — [both hosts]
JANET pillar one: The film engineers two conduits, the Capitol leans on pilots and sensors, and both skip the millions who live in contact every day.
THERESA: [own contact perspective]
JANET pillar two: The film starts the clock at 1947. The Sumerian tablets, Genesis, and the global sky-teacher record run far deeper.
JANET pillar three: Files show a craft. The community holds the relationship, the message, the consciousness shift.
EXPERIENCER ROUND TABLE — 74:00 to 84:00 — [Theresa leads]
THERESA: Read and welcome audience comments and stories. Invite callers/guests to briefly share their contact information. Janet adds reflections.
CLOSE — 84:00 to 90:00 — [both hosts; Janet lands it]
JANET: Two Disclosure Days, one horizon. Both stop short of the deepest truth. That truth lives with us, the experiencers, with the ancient record, and with the anomalies that cover this planet. The work falls to us.
THERESA: Subscribe, share, and join us next time on Hybrid Genies.
JANET: A hui hou. We carry the rest of the story with us.
“DISCLOSURE ON THE LAWN”
Disclosure on the Lawn: The Day Washington Asked for the Truth
by Janet Kira Lessin | Research: Claudia Lenore | © 2026 Aquarian Media
A bipartisan group gathered on the steps of the United States Capitol on June 9 and turned years of testimony into a public demand. David Grusch, a former intelligence officer, stood at the center. Representatives Eric Burlison, Anna Paulina Luna, Tim Burchett, and Jared Moskowitz flanked him, and journalist Leslie Kean and filmmaker James Fox hosted the gathering. Their message rang clear: release the records, protect the whistleblowers, and end the secrecy. Ai-consciousness + 3
Grusch carried the sharpest charges. He accused the Defense Intelligence Agency of hiding billions and obstructing congressional oversight, and he urged the agency to surrender documents for review. He told the crowd about drone footage of a craft off the coast of Yemen that reached his office through a dead drop, and he described a continuum of life that runs from familiar bipedal forms to something he called sentient plasma, a range he said the government already tracks. aolCodeAgentSwarm
The lawmakers pressed the president. Luna announced a push to win immunity for witnesses who reveal the locations of craft or advanced technology. Burlison framed the matter as a duty rather than a curiosity, and he pointed to specific facilities, contractors, and records that he believes hold the proof. The group rallied behind a single bill, the UAP Disclosure Act, which would require agencies to declassify and publish their files. glama + 2
Behind the press conference sat a wave of public hunger. Trump’s declassification directive in May opened the PURSUE portal, and more than a billion users worldwide reached for the records it released. The federal caution stayed in place beside the spectacle: officials reminded the country that “unidentified” stops short of “alien.” glama + 2
I welcome every file the government surrenders. Still, I watch this moment with the long memory of a lifelong experiencer. The lawmakers build their argument on pilots, sensors, and recovered craft. That argument skips the millions of us who have lived with ET contact since childhood, and it skips the ancient record that describes these visitors across thousands of years. A drone clip from off the coast of Yemen earns a headline. The testimony of ordinary experiencers earns a shrug, and that imbalance marks the work still ahead.
The Capitol cracked a door on June 9. The deeper truth waits on the other side, with the experiencers, the ancient texts, and the anomalies that cover this planet. We hold that truth now, and we offer it to a nation ready at last to ask.
④ SLIDE DECK OUTLINE — for your slideshow
Slide 1 — Title
Disclosure Day on the Screen, Disclosure Day on the Capitol Lawn
Hybrid Genies · Janet Kira Lessin & Theresa J. Morris · June 13, 2026
Image: split screen — movie screen glow on the left, Capitol steps under a starry sky on the right.
Slide 2 — Two Disclosure Days, one week
- The film opened on June 12.
- The press conference hit the Capitol on June 9.
- One dream, one demand.
Image: calendar with both dates circled.
Slide 3 — How we got here: the wave
- SXSW spark → Obama’s comment → Trump’s reaction.
- Podcasts → late-night → news → Congress.
- Sparks to wildfire to wave.
Image: domino chain or spreading wildfire.
Slide 4 — Spielberg lights the fuse
- SXSW, March 13, with Sean Fennessey.
- “A strong sneaking suspicion that we are not alone here on Earth right now.”
- He thanked Obama for the timing.
Image: stage spotlight, microphone.
Slide 5 — The film: what it gets right
- Emily Blunt, career-best.
- John Williams score.
- The car-meets-train sequence.
- A single-word ending.
Image: abstract cinema light rays (no film stills).
Slide 6 — The film: four tracks
- Margaret, the meteorologist, wakes.
- Daniel, the hunted whistleblower.
- Hugo and the defectors.
- Wardex, the corporation.
Image: four converging arrows.
Slide 7 — The Capitol lawn, June 9
- David Grusch, former intelligence officer.
- Reps. Burlison, Luna, Burchett, Moskowitz.
- Hosts Leslie Kean and James Fox.
Image: Capitol steps silhouette.
Slide 8 — Three demands
- Release the files.
- Protect the whistleblowers.
- Pass the UAP Disclosure Act.
Image: three keys, or a padlock opening.
Slide 9 — The claims
- DIA is hiding billions and obstructing Congress.
- Drone footage from Yemen, by dead drop.
- PURSUE portal: a billion users.
Image: a redacted document.
Slide 10 — The official caution
- “Unidentified” stops short of “alien.”
- Real sightings, open questions.
Image: a question mark in the sky.
Slide 11 — Pillar one: the contactees both skip
- Two chosen ones on screen.
- Pilots and sensors at the Capitol.
- Millions of lifelong experiencers, unseen.
Image: a crowd, one figure lit.
Slide 12 — Pillar two: eighty thousand years before Roswell
- Sumerian tablets, Genesis watchers, sky-teachers.
- A record carved in stone.
- Who shaped us, and why?
Image: ancient relief or standing stones.
Slide 13 — Pillar three: from files to meaning
- Files show a craft.
- The community holds the relationship.
- The encounter, the message, the shift.
Image: a heart and a document side by side.
Slide 14 — Two doors, one horizon
- The screen opened a door for millions.
- The Capitol cracked another.
- We walk through both and carry the rest of the story.
- Join us live · subscribe · share.
Image: two doorways opening toward a single horizon.
