THE LAST SATYA YUGA, 1000 YEARS OF PEACE AFTER THE DELUGE by Sasha Lessin, Ph.D. (Anthropology, U.C.L.A.)
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10,998 – 8,970 BCE, All the factions of both the ET gods of Sumer and the Earthlings of Eurasia, Africa, and South America cooperated to make a livable, worldwide stable civilization. We did it before. We can do it again.
Nibiru neared Earth so close in 11,000 BCE that the ice slid off Antarctica. The ice, the tsunamis it generated, and the quakes from shifting magma and continents launched the worldwide 120-day Deluge here. The flood buried “under miles thick mud, all the Anunnaki built in 432,000 years. Of their settlements, only the stone Landing Platform [Baalbek] in Lebanon survived intact.” [Enki: 230; Cosmic Code: 54]
NIBIRU DEMANDED MORE GOLD FROM EARTH
Nibiru’s perigee 13,000 years ago also “ripped away the shield of gold dust around Nibiru, gold the astronauts had struggled for millennia to rocket to the mother planet. Nibiru’s atmosphere again dwindled. Nibiru again needed Earth’s gold. While survivors on Earth rebuilt their lives, word came from Nibiru, ‘The shield of gold dust was torn.’” Nibiru ordered the Expedition to send lots more gold at once.
To obtain more gold, the Expedition needed additional Earthling miners and a new rocket terminal. But in Africa, mud interred the mines as well as the miners. In Sumer, mud topped the Bad-Tibira refinery. Mud smothered the rocket terminal at Sippar refinery. Mud covered the rocket terminal at Sippar.
SURVIVORS RECOVERED FROM DELUGE
To Baalbek, Enlil, the Nibiran Commander of the Goldmining Expedition to Earth, summoned Nibirans who survived the flood. He signaled, “Return to Baalbek. Hear my commands,” to the Royals and to astronauts in craft orbiting the planet. “Nannar,” he commanded to his son on the moon, “return to Earth.” Enlil also called in his nephew Marduk–rival Enki’s son–from Mars.
Marduk, son and heir to the Commander’s rival, Chief Scientist Enki, had run the astronaut and transshipment base on Mars before the Deluge. “By the passage of Nibiru was devastated. Its atmosphere was sucked out, its waters evaporated, a place of dust storms it is,” Marduk reported.
“What seeds survived in Enki’s vault? What beasts made it?”
Ninigal, Enki’s son who’d piloted Noah’s submersible, answered, “Life essences and life eggs in the four-legged animals from Ziusudra’s boat can be combined. Sheep for wool and meat will multiply, cattle for milk and hides will all have.”
Enki’s seed banks survived.
Enlil said he’d order more GMO seeds from Nibiru. He told Enki’s son Dumuzi, “Replenish the planet’s livestock. Noah’s son Shem will boss the Earthlings you need.
“Dig a water system with our technology, breed Earthlings for labor that feeds itself,” ordered Enlil.
NINURTA AND SURVIVING INDIANS PROCESSED ANDEAN TIN FOR RECOVERY
Mud covered all the stone and minerals Sumerians and Egyptians needed for building. Sumer and Europe failed to yield enough CASSITERITE, which Ninurta needed to refine copper for tin and bronze for the Earthlings’ upleveling to an urban civilization. He therefore found natural copper as well as more gold for Nibiru. He found tin and gold in the alluvium of rivers that run into the east coast of Lake Titicaca in Peru — huge chunks of pure gold and copper. The copper needed no refining.
Ninurta also found beardless descendants of Ka-in, now Andean Indians, who’d survived the flood on rafts on Lake Titicaca. They could mine the metals he found. He brought Adad, Sumerian overseers, and African technicians to organize the Indians. [Lost Realms: 8- 222]
COOPERATING GODS & EARTHLINGS WITH BRONZE RECLAIMED MESOPOTAMIA
So began the Neolithic, the Age of Domestication. With advanced technology, Ninurta and Enki re-terraformed the mud of Mesopotamia back to a land of rivers, dams, and irrigation systems.
Enlil, Enki, Inanna, Adad, Ninurta, Utu, and Nannar in Sumer gave us urban societies, kingship, temples, priesthoods, festivals, beer, culinary recipes, art, music, musical instruments, musical notes, dance, writing and record keeping, medicines, textiles, and multicolored apparel. The plants, animals, guidance, and knowledge they gave let us multiply. We built them magnificent temples and cities.
To build cities, they showed us how to make bricks and taught us to make bronze implements. They let us help them build a new spaceport on the Sinai Peninsula.
Both Anunnaki factions—Enlil’s descendants and Enki’s—as well as our ancestors, renewed Earth’s crops and beasts. Cooperation, synergy, 1000 years of peace, a Satya Yuga.
GODS GAVE NEW CROPS, BEASTS, KILN TECHNOLOGY, METALLUGY, CITIES
The farming the gods taught us in Sumer “spread over the world from the Near Eastern mountains and highlands.” They gave us wheat and barley, then “millet, rye, spelt, flax (for fibers and edible oil), onions, lentils, beans, cucumbers, cabbage, lettuce, apples, apricots, cherries, pears, olives, figs, almonds, pistachios, walnuts, as well as tame dogs, geese, ducks, sheep, goats, and pigs.”
The Anunnaki showed us how to weave fiber into cloth and make flour, bread, porridge, cakes, pastries, biscuits, yogurt, butter, cream, cheese, beer, and wine.
They turned us onto “horned and hornless cattle for hides, meat, milk, and wool.”
Ninurta introduced plows. First, we Earthlings pulled them, then cattle pulled the plows. The plows, plus Enki’s new grains, boosted our food-growing.
Anunnaki and their foremen helped us regulate the Nile. We made, as they directed, pastureland for herds of cows and goats.
The gods showed us how to reinforce bricks—fire them with chopped reeds in a kiln.
With the bricks, we paved roads. With stronger bricks, we could build high-rises and temples.
They gave us kiln-furnace technology, and with the kilns, we forged Earth’s first durable pottery–cups, bowls, plates, storage urns.
The kilns allowed intense but controllable temperatures to be contained in furnaces without contamination from dust or ashes. The gods showed us how to make paints, pigments, pottery glazes and artificial lapis lazuli. They had us mass-produce bronze tools and weapons. Via Kiln-metallurgy, the gods led us to coins, then to banking.
Sumer had naphtha, asphalts, and bitumens. They seeped above ground all over Mesopotamia. With naphtha, we surfaced roads, waterproofed boats, and buildings. With it, we caulked, cemented, painted, and molded.
Sumer itself lacked raw ore to make metal, but we used naphtha in exchange for ore. The gods had us develop “extensive international trade routes.”
The gods gave us the wheel, carts, and chariots. [12th Planet: 6 -9; Wars: 125]
They gave us a mathematical system — sexagesimal — that introduced the circle of 360 degrees, timekeeping that divided day/night into 12 double hours, and a luni-solar calendar of 12 months intercalated with a thirteenth leap month. They gave geometry, distance measurement units, units of weight, and capacity. They gifted us with astronomy — planetary, stellar, constellational, and zodiacal knowledge. They bestowed law codes and courts of law on us. They gave us transportation networks, customs stations, and even taxes. [Giants: 58, 70]
ENLIL AWARDED FIEFS TO ANUNNAKI ROYALS
Commander Enlil, his sons, and his grandchildren ruled Sumer. Innana, Enlil’s granddaughter, ruled Elan in the southeast. Enlil’s youngest son, Adad, ruled the Taurus Mountains, Asia Minor, and the northwest. Ninurta, Enlil’s Champion, reigned in the highlands; Nannar, Enlil’s second son, controlled the North. Utu, Inanna’s male-twin, commanded Lebanon’s Airport. Enlil kept Nippur, Sumer’s center, and there stored his computer programs, “Tablets of Destinies” and the “Command and Control Center for Earth to off-planet communication, as well as the Bond Heaven-Earth in his high-rise stepped pyramid. In Nippur, Enlil had Earthlings build schools of science and scribing as well as a library with 30,000 inscribed clay tablets. [Wars: 125; Giants: 67 – 69]
Each god walled his sacred precincts, “each with a skyscraping ziggurat [stepped pyramid]. The ziggurats rose in several steps (usually seven) to 90 meters. Built of two kinds of mud brick, sun-dried for high-rise cores and kiln-burned for extra strength for stairways, exteriors, and overhangings, they bonded with bitumen as mortar.”
ANUNNAKI BUILT SINAI ROCKET TERMINAL, GIZA BEACON-POWER PLANT
Enlil ordered a new rocket terminal at Sinai (the Arabian Peninsula) for craft to transport gold to Nibiru. He told Enki and his lineage to build the new terminal, Mission Control and guidance facilities in a mountain-like Great Pyramid he’d have built at Giza, near the Nile at the 30th Parallel.
“Although the Sinai Peninsula and the Giza pyramids were supposedly neutral under Ninmah, Enki and the Enkiites intended to control Sinai. Whoever ran the Giza Pyramid and Sinai, controlled “space activities, the comings and goings of the ‘gods,’ the vital supply link to and from Nibiru. Only Enki, the master engineer and scientist, had the know-how and experience for the massive works.”
From 10,000 B.C. on, Enki’s sons Marduk and Ningishzidda assisted Enki, as did his descendants Shu, Tefnut, Geb, and Nut. “The secret plans of the Great Pyramid were in the hands of Ningishzidda.” [Wars:149-155]
Viracocha [Adad/Ishkar] gathered the descendants of Ka-in who survived the Deluge atop the Andes. He had them build palaces there for him and his Overseers. Viracocha readied couples he chose to start an empire they’d rule from Cuzco. [Time:247]
Peace, cooperation, synergy. We did it 12,998 years ago. Can we do it again? What do you think?
References click here
Anunnaki Chronology Link click-me
Anunnaki Evidence
Gods of Old
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FEATURED IMAGE / HEADER COLLAGE
THE LAST SATYA YUGA: 1000 YEARS OF PEACE AFTER THE DELUGE
A cinematic full-color header collage showing Earth after the Great Deluge, with receding floodwaters, mountains emerging from mist, and ancient survivors rebuilding civilization under the guidance of luminous Anunnaki figures. In the center, Enki and Enlil stand in rare cooperation, fair/Nordic-looking, youthful, regal, and emotionally serious. Around them appear symbolic scenes: Baalbek’s ancient stone platform surviving the flood, Mesopotamian canals being dug through mud, seed vaults opening, livestock returning, bronze tools, kiln-fired bricks, early temples, and distant ziggurats rising under a golden dawn. In the sky, Nibiru glows faintly near Earth, suggesting cosmic cause and consequence. Mood: renewal, cooperation, sacred rebuilding, ancient memory, the possibility of peace returning. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 1
EARTH AFTER THE DELUGE
A cinematic photorealistic scene of Earth after a worldwide flood. Massive waters recede from mountains and valleys, storm clouds break apart, and the first rays of dawn illuminate mud-covered ruins of an ancient civilization. Survivors stand on high ground, wrapped in simple post-flood garments, looking across a transformed world with awe, grief, and hope. In the far distance, faint remnants of advanced Anunnaki structures rise from the mud. Mood: devastation, survival, sacred beginning, renewal after catastrophe. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 2
BAALBEK SURVIVES THE FLOOD
A cinematic full-color scene showing the massive stone Landing Platform at Baalbek standing intact after the Deluge while mud, flood debris, and broken ancient structures surround it. Luminous Anunnaki craft hover faintly in the misty sky as surviving Anunnaki and Earthlings gather at the platform. Enlil, fair-haired, blue-eyed, regal, youthful, and commanding, calls the survivors back to order. Mood: survival, command, ancient technology, post-flood recovery. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 3
NIBIRU DEMANDS MORE GOLD
A dramatic cosmic scene showing Nibiru near Earth after the Deluge, its shimmering gold-dust atmospheric shield partially torn away and trailing into space. Below, Earth appears flooded and scarred, while Anunnaki observers inside a radiant command chamber study holographic star maps and planetary damage reports. Gold symbols, mining records, and urgent communications glow across translucent screens. Mood: cosmic crisis, planetary dependency, urgent command, ancient science. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 4
ENKI’S SEED VAULTS SURVIVE
A cinematic photorealistic scene inside Enki’s ancient seed vault after the flood. Enki, fair, blondish, blue-eyed, youthful, wise, and calm, opens a luminous chamber filled with preserved seeds, life essences, clay tablets, glowing biological containers, and subtle advanced technology. Ninigal stands nearby, presenting genetic life records from Ziusudra’s vessel. The atmosphere blends sacred science with deep compassion for Earth’s future. Mood: preservation, wisdom, recovery, sacred biology, hope. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 5
THE RETURN TO MESOPOTAMIA
A cinematic full-color scene of Anunnaki and Earthling survivors working together to reclaim Mesopotamia from deep flood mud. Enki, Ninurta, workers, and foremen guide teams digging canals, clearing riverbeds, building irrigation ditches, and redirecting water through a devastated landscape. Bronze tools, baskets, ropes, early engineering devices, and reed structures fill the scene. In the distance, the first signs of renewed farmland appear. Mood: cooperation, labor, sacred rebuilding, civilization reborn. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 6
NINURTA IN THE ANDES
A cinematic photorealistic scene high in the Andes near Lake Titicaca. Ninurta, youthful, fair/Nordic-looking, strong, regal, and purposeful, stands with surviving Andean people beside river alluvium rich with gold, copper, and cassiterite. Adad and Sumerian overseers assist as Earthlings gather metal from riverbeds. Snowy mountains, sacred stone terraces, rafts, and luminous Anunnaki technology create a majestic ancient-world atmosphere. Mood: discovery, survival, metallurgy, cooperation across continents. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 7
THE AGE OF DOMESTICATION
A warm cinematic scene showing the rebirth of agriculture after the Deluge. Earthlings plant wheat, barley, flax, lentils, onions, and fruit trees while Anunnaki teachers guide them with calm authority. Sheep, goats, cattle, ducks, geese, and dogs gather near early fields and irrigation canals. The landscape is fertile, green, and hopeful, with early villages and ziggurats in the distance. Mood: abundance, renewal, teaching, nourishment, peaceful civilization. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 8
KILNS, BRICKS, POTTERY, AND BRONZE
A cinematic full-color scene of early Sumerian craftspeople learning kiln technology from Anunnaki instructors. Workers shape bricks mixed with chopped reeds, fire pottery in glowing kilns, forge bronze tools, and prepare pigments, glazes, and artificial lapis lazuli. The scene shows the birth of durable architecture, pottery, metallurgy, and trade. Mood: invention, industry, sacred craft, civilization rising. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 9
ENLIL AWARDS THE FIEFS
A cinematic royal council scene in ancient Sumer after the Deluge. Enlil, youthful, fair-haired, blue-eyed, regal, and commanding, stands before a glowing map of Earth while Anunnaki royals receive their regions: Ninurta, Nannar, Utu, Adad, Inanna, and others. Behind them rise walled sacred precincts, ziggurats, temples, star maps, and tablets of destiny. The mood is political, ceremonial, and deeply consequential. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 10
NIPPUR: COMMAND CENTER OF EARTH
A cinematic photorealistic scene of Nippur as a radiant post-flood command center. A towering stepped ziggurat rises above schools, libraries, scribal chambers, and sacred courtyards. Enlil’s Tablets of Destinies glow inside a protected chamber, while scribes record knowledge on clay tablets and students learn astronomy, mathematics, law, and record keeping. Mood: knowledge, authority, civilization, sacred order. FULL COLOR, luminous cinematic fantasy realism, realistic, photorealistic, cinematic lighting, soft natural colors, highly detailed, emotional depth, artistic composition, landscape 16:9.
IMAGE 11
THE SINAI ROCKET TERMINAL
A cinematic full-color scene of Enki and his lineage designing a new rocket terminal in the Sinai Peninsula after the Deluge. Ancient yet advanced launch structures rise from the desert, aligned with stars and distant pyramidal guidance systems. Enki, Marduk, Ningishzidda, and engineers study luminous plans, star maps
