SACRED CELLS AND SINFUL SHADOWS: THE EVOLUTION OF JUSTICE FROM SUMER TO TODAY (Amend the Malevolent Matrix our Anunnaki Masters Mandated, PART 3.4)
By Sasha Alex Lessin, Ph.D. (Anthropology, UCLA), M.A (Counseling Psychology, University for Humanistic Studies)
For way more on slavery through the ages, click https://wp.me/p1TVCy-5CU
U.S. PRISONS 90% FULL FORCES STUDENT INCARCERATION AT YOUR EXPENSE
Do you know someone in prison for trivial and victimless offenses, like those involving marijuana or parking tickets or failure to pay court fines for civil actions? They may be part of a racket.
Prisons are not just cold stone walls and iron bars—they are living monuments to humanity’s struggle with morality, power, and divine justice. From the towering ziggurats of ancient Sumer to the sprawling penitentiaries of the modern world, the concept of incarceration has served as both punishment and penance, its form and purpose dictated by the gods and beliefs of each era. The echoes of divine archetypes—Yahweh’s unyielding judgment, Satan’s defiant rebellion, and their ancient Sumerian counterparts, Enlil and Marduk—reverberate through the halls of every dungeon and penitentiary humanity has built. Each cell, each chain, and each trial bears their mark, testifying to an age-old battle between chaos and order, mercy and retribution, sin and salvation.
This powerful image depicts a modern prison courtyard seamlessly intertwined with ancient Sumerian architecture. Towering ziggurat-like structures rise in the background, adorned with carvings of gods like Enlil and Marduk, symbolizing the divine influence on justice. The stormy sky reflects the eternal tension between chaos and order, retribution and mercy, as prisoners wander beneath the watchful eyes of history and fate.
A HISTORY SHAPED BY PEOPLE FROM PLANET NIBIRU PRETENDING TO BE GODS
Set in the cradle of civilization, this vibrant scene portrays Enlil and Enki, ancient beings from Planet Nibiru who shaped humanity’s understanding of justice. Enlil stands atop a ziggurat beneath stormy skies, embodying strict judgment and control. By contrast, Enki, near a serene river surrounded by symbols of life, offers balance and wisdom. The celestial and earthly elements blend seamlessly, reflecting the cosmic origins of their influence and the divine tension between punishment and mercy.
In the cradle of civilization, Sumer, justice was divine by design. Kings like Ur-Nammu and Hammurabi claimed their authority from the gods, framing their laws as sacred decrees. Enlil, the stern god of storms and order, shaped their vision of punishment, emphasizing strict retribution and hierarchy. Prisons, crude and functional, served as temporary holding places before punishments such as exile or execution were carried out. Yet Enki, the wise and merciful god of creation, subtly influenced a different perspective—one of wisdom, balance, and mitigation. This divine tension between Enlil’s rigidity and Enki’s wisdom set the stage for humanity’s evolving understanding of justice.
As centuries passed, the divine justification for punishment wove through the fabric of civilizations. In Egypt, crime was an affront to ma’at—the cosmic balance—and offenders were consigned to temple labor or dungeons to restore harmony. In Greece and Rome, justice carried the imprint of Zeus and Jupiter, casting imprisonment as a tool to uphold divine and imperial law. With the rise of Christianity, the archetypes of Yahweh and Satan redefined incarceration as a battleground for the soul. By the Enlightenment, reformers began questioning the divine mandate for punitive justice.
PRISONS AND POWER DEVOLVED TO WHITE POWER ELITE CONTROL IN MODERN AMERICA
In the United States, prisons became a potent symbol of systemic control, power, and inequality, revealing stark disparities along racial and socioeconomic lines. Although modern prisons ostensibly serve secular functions, their roots in moral and religious ideologies continue to shape their impact—particularly on minorities. The prison system in America has evolved not merely as a response to crime but as a tool to enforce social hierarchies and maintain economic and political control.
This symbolic image portrays the modern American prison system as a metaphor for systemic control and social hierarchy. Towering structures of power and wealth rise in stark contrast to the confined and struggling figures below, representing the harsh disparities in justice and opportunity. Surveillance towers and abstract symbols of authority dominate the scene, while the dramatic sky blends oppression with faint glimpses of hope, emphasizing the tension between control and freedom. The allegorical design invites reflection on justice and equality in contemporary society.
The racial disparities within the U.S. prison system are staggering and inextricably tied to the nation’s history of slavery and systemic racism. After the abolition of slavery, the 13th Amendment left a loophole, allowing involuntary servitude for those convicted of a crime. This clause fueled the rise of convict leasing, a practice where Black Americans, disproportionately arrested on dubious charges, were effectively re-enslaved through labor contracts with private companies. Enlil’s harsh and hierarchical ethos loomed large here as the justice system became a tool of oppression, enforcing the rigid racial order that mirrored the god’s authoritarian archetype.
The era of Jim Crow laws entrenched these disparities further, as minor infractions by Black Americans were met with harsh penalties and imprisonment. During the Civil Rights Movement, the prison system became a weapon against activists, incarcerating those who dared to challenge systemic injustice. The shadow of Enki’s wisdom—compassion and balance—was largely absent as the system prioritized control over justice.
Today, the United States houses the largest prison population in the world, with minorities—mainly Black and Hispanic individuals—bearing the brunt of mass incarceration. Policies such as the War on Drugs disproportionately targeted communities of color, creating a pipeline from underserved neighborhoods to overcrowded prisons. Black Americans represent roughly 13% of the U.S. population but comprise nearly 40% of the prison population.
This realistic and emotive illustration captures the stark reality of mass incarceration in the United States, where minority communities—predominantly Black and Hispanic individuals—bear the brunt of systemic injustice. The crowded prison yard reflects overcrowding and inequality while imposing guards watch over the scene with a sense of authority and control. The surrounding architecture emphasizes confinement, and the overcast sky symbolizes the weight of oppression. The image invites reflection on the deeper issues of bias in policing, sentencing, and the broader judicial system.
Hispanic individuals face similar disparities, reflecting systemic bias in policing, sentencing, and judicial practices. U.S. prisons are 90% full; American “justice forces studied incarceration at citizen expense. Minorities, the poor, and the mentally ill are jailed for trivial and victimless offenses, like those involving marijuana or parking tickets or failure to pay court fines for civil actions. They may be part of a racket.
The U.S. sold its prison system to the Illuminati‑Warburg cartel and stopped all human rights control in the prisons. States contracted to keep the prisons 90% filled and must pay for this, even–as in the case of Ohio if cells are empty. Police, prosecutors, and the government all work to keep our prisons full lest they, like the state of Ohio, be forced to pay anyhow.
This symbolic and realistic depiction reveals the hidden power structures within the modern U.S. prison system. The crowded yard reflects systemic control and cycles of poverty while guards observe from elevated watchtowers. Subtle details hint at unseen forces manipulating the system, represented by shadowy figures and corporate symbols embedded in the architecture. The contrast between faith-based symbols of redemption and the harsh reality of incarceration underscores the profound clash between ideals of justice and the ongoing struggle for equity and human dignity. The dark, foreboding sky encapsulates a sense of disenfranchisement and loss.
The moral and religious underpinnings of the justice system often clash with its reality. Faith-based programs within prisons emphasize redemption, but the broader system rarely offers pathways for rehabilitation or equity. Instead, it perpetuates cycles of poverty and disenfranchisement, stripping individuals—particularly minorities—of their rights, dignity, and futures.
This updated illustration captures the American prison system as a modern temple of systemic injustice. The architecture blends contemporary prison structures with ancient temple designs, symbolizing the divine struggle between order and compassion. Enlil’s shadow dominates the scene, representing harsh judgment and rigidity, while Enki’s presence is faint but persistent, symbolizing the hope for wisdom and mercy. The prisoners—mostly minorities—stand beneath the imposing watch of guards, reflecting deep-seated racial and systemic disparities. The stonework features symbols of ancient deities, echoing the timeless conflict between punishment and forgiveness. The dark, stormy sky enhances the somber and reflective atmosphere.
Prisons in America have become modern temples to systemic injustice, where power dynamics and racial hierarchies play out daily. Enlil’s shadow looms heavy, enforcing order through rigidity and retribution, while Enki’s compassionate wisdom struggles to find a foothold in policies or practices. The divine struggle between mercy and punishment persists, but in America, it is minorities who overwhelmingly pay the price.
A CALL FOR CHANGE
This illustration highlights the transformation of justice from ancient archetypes of retribution to modern ideals of equity and compassion. The prison courtyard merges ancient temple elements with contemporary architecture. Enlil’s shadow of judgment transitions toward Enki’s light of compassion and wisdom. Cracks of light break through the stonework, symbolizing restoration and hope. Inmates—mainly minorities—stand resilient, reflecting the enduring quest for justice, while guards appear less imposing, suggesting the possibility of change. Celestial symbols carved into the walls provoke more profound reflection on moral questions within the justice system, with a brighter sky symbolizing the hope for accurate equity.
The disproportionate imprisonment of minorities in the U.S. reflects a failure to reconcile the ancient archetypes of justice. Systems built on retribution and control must give way to those prioritizing equity, compassion, and restoration. Just as ancient civilizations looked to their gods to guide them, modern societies must confront the moral questions posed by their prisons. Who benefits from these systems? Who suffers? And how can justice evolve to reflect not divine punishment but collective humanity? Only by addressing these questions can we hope to dismantle the literal and systemic chains that bind us. In the end, the story of prisons is not just about punishment; it is about power, belief, and the enduring hope for a world where justice is truly just.
This uplifting illustration symbolizes the transformation of justice toward compassion, equity, and restoration. The prison courtyard is bathed in radiant light, with Enki’s presence fully realized, emanating wisdom and hope. The architecture blends modern prison elements with vibrant ancient temple symbols representing renewal and positive change. Inmates are depicted with expressions of joy, determination, and resilience, reflecting a hopeful future. Guards are shown smiling, symbolizing unity and transformation. The bright, light-filled sky and cracks of sunlight emphasize the dawn of a new era where justice is rooted in kindness, equity, and shared humanity.
