TIME TRAVELERS: Testimonials & a Mental Experiment
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TIME TRAVELERS: Testimonials & a Mental Experiment
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Swerdlow, Bradley, Titor, Cramer & Basiago, Trimmel, Iliena & Quitt rap with Dr. Sasha Alex Lessin and Janet Lessin
YOUTUBE: Click the words “TIME TRAVEL” on the post below this one for a humorous take on the paradoxes of time travel
See EXPERIENCERS: CONSCIOUS CONTACTEES*
Timetraveler SWERDLOW & THE MONTAUK PROJECT
He was born in Long Island, New York, in the late 1950s. From an early age, Swerdlow remembers encounters with Aliens. In high school, he was kidnapped by what he thought were extraterrestrials (they were American soldiers) for the Montauk Project, where he spent 13 years.
Only 1% of the Montauk Project kids lived through it; the others all died. Stewart survived as a programmer of the doomed boys. Al Bielek ran the Project until 1983, when the Montauk Station was destroyed. At Montauk, Bielek, Swerdlow, and others ran experiments in mind control, teleportation, parallel dimensions, and time travel.
Deep within a hidden military base, a lone boy named Stewart stands among glowing holographic screens—one of the few survivors of the Montauk Project’s harrowing experiments. Around him linger the fading silhouettes of other children, victims of unspeakable trials in mind control, teleportation, parallel dimensions, and time travel. Overseen by the enigmatic Al Bielek, the lab buzzes with energy fields and open portals to unknown realms. The air hums with secrecy and sorrow, as the remnants of a dangerous pursuit into the unknown still echo through the crumbling halls of Montauk Station.
Swerdlow told the Lessins (on the podcast at https://wp.me/p1TVCy-497) how he learned of a Reptilian race that lives underground and came to Earth over 800,000 years ago, info he got during the 13 years he served as an experimental subject in a government-sponsored mind control project in Montauk, NY.
Our clandestine government experimented on some 300,000 people at Montauk. Most of them did die in the experiments. Now, Swerdlow says, the Illuminati use mind control worldwide via satellites.
In the depths of a glowing subterranean world, ancient Reptilian beings move through an alien metropolis hidden beneath the Earth. In the foreground, Stewart Swerdlow is restrained within a futuristic chair, surrounded by mind-control apparatus—a chilling visual of the 13 years he spent as an experimental subject in the Montauk Project. Through these experiments, Swerdlow claimed to have gained knowledge of an underground Reptilian race that arrived on Earth over 800,000 years ago. The image captures the eerie fusion of advanced technology and ancient mystery, suggesting a reality far stranger than fiction.
Reptilians originating in the Draco star system got to ours via hollowed-out asteroids. There are seven different species in the Draco Empire. One type has white segmented skin, cat-like eyes, wings, and a pronounced jaw and teeth. The Dracos on Earth colonized a Pacific continent called Lemuria and later battled with the Atlanteans. Eventually, they formed a hybrid race with the Atlanteans. Our ruling hybrid Illuminati comes from the hybrid Atlantean-Reptilians.
From the stars of the Draco system, Reptilian beings traversed space in colossal hollowed-out asteroids, arriving in our solar system to seed a new empire. Upon Earth, they founded the ancient continent of Lemuria, eventually clashing with the Atlanteans in an epic battle of civilizations. One species stands out—white-skinned, winged, with feline eyes and predatory features—emblematic of Draco power. Out of war came convergence: a hybrid Atlantean-Reptilian elite was born, whose legacy, according to myth, leads to the modern-day ruling Illuminati. This image encapsulates their cosmic journey, wars of old, and the esoteric roots of hidden influence.
The Illuminati, Swerdlow reports, plan a “staged alien invasion” to trick people into forming a one-world government. He says they’ll use holographic technology and project imaginary battles. They seek to send millions of people out to colonize habitable moons of Jupiter and Saturn.
In a chilling vision of manipulation and control, towering holographic alien ships dominate the skies over Earth’s cities, firing brilliant beams in a staged invasion designed to spark global panic. Below, citizens scatter while military forces respond, unaware that the threat is an illusion. Hidden in high-tech command centers, shadowy Illuminati figures orchestrate the chaos, pushing the world toward a one-government agenda. As fear spreads, massive colony ships lift off from Earth, destined for the moons of Jupiter and Saturn—part of a grand plan to reshape humanity under the guise of salvation. The image evokes cinematic deception and a dystopian path to control through illusion.
Timetraveler BRADLEY & THE DARK FLEET 60-YEARS-&-BACK PROJECT https://wp.me/p2OzDR-6Aa.
This surreal, symbolic image visualizes the covert machinery of secret space programs and time-altered destinies. At the center stands a glowing, stylized silhouette of a young figure—an emblem of innocence caught between two realities. One portal opens to Earth, marked by military insignia and control; the other to Mars, where dark architecture and looming spacecraft hint at authoritarian occupation—around the figure swirl broken clocks, DNA strands, and galactic spirals—symbolizing manipulated time, genetic alteration, and cosmic displacement. Shadowy observers in control stations suggest unseen forces guiding these transformations. The scene speaks to loss of identity, coerced journeys, and the hidden infrastructures behind interplanetary agendas.
Penny Bradley reveals that “The U.S. military kidnaps, enslaves, kills, revives & raises kids for the German Dark Fleet on Mars”
Bradley writes: “I was a Military Laboratories-created hybrid, born in 1955. I was kidnapped in 1959 from my bed and taken to Langley for mind fracture and weaponization of my psi abilities. Part of that was a tour at MONTAUK, IN THE TIME TUNNEL.
This haunting and surreal image visualizes Penny Bradley’s account of her early life as a government-created hybrid. At the center stands a young girl with glowing eyes, suspended in the “Time Tunnel”—a vortex of light, memory, and altered fate. Around her swirl DNA strands and floating shards of mirrored glass, symbolizing her fractured mind and weaponized psychic potential. On one side, a fading 1950s bedroom gives way to the cold corridors of Langley, where clandestine operatives manipulate her consciousness. On the other hand, the Montauk base pulses with strange machines and portals, echoing the distortion of time and reality. The composition evokes the emotional gravity of innocence lost to secrecy and experimentation.
In 1964, I was taken to Mars through the New York jumpgate. I spent 25 years on Mars, in school, and as a fighter pilot in the war with the native Green REPTILIANS and the MANTIDS.
In a bold fusion of vintage Earth and interplanetary warfare, this image captures a pivotal moment: 1964, and a young recruit steps through a glowing jumpgate hidden in New York City. Behind them, classic cars and brick buildings fade into the past. Ahead lies the red, war-scarred landscape of Mars. For 25 years, the protagonist lives on the planet, first in alien military academies, then as a fighter pilot in an unrelenting war. In the skies, sleek human aircraft clash with the native Martian forces: towering Green Reptilians and agile Mantid beings. The scene pulses with action, destiny, and the surreal scale of a hidden cosmic war.
“In 1990, I was transferred to DARK FLEET, where I was a navigator in a freighter for about 25 years.
Set deep in uncharted space, this moody scene captures the solemn reality of a navigator assigned to the Dark Fleet in 1990. Seated at a futuristic command console glowing with holographic maps and alien data streams, the human figure is surrounded by a massive interstellar freighter’s cold metal and ambient lights. Through the vast cockpit window, distant stars and shadowy planets hint at the scale of their voyages. Other looming freighters drift nearby in formation, part of a mysterious and militarized convoy. The image radiates solitude, discipline, and the haunting stillness of 25 years spent navigating the farthest reaches of space.
Within the cold, steel corridors of a Dark Fleet freighter, a lone female navigator sits at her station, lit by the glow of starmaps and alien tech. Her expression is steady resolve—short dark hair, sharp eyes, and a uniform that marks her as both officer and survivor. Outside the curved cockpit window, the infinite reaches of space unfold—distant stars, forgotten planets, and sister ships of the Dark Fleet convoy. For 25 years, she charted silent routes through the void, part of a mission cloaked in secrecy and shadow. This image honors Penny’s strength, solitude, and unwavering presence across the galaxy’s darkest paths.
“In 2014, I was age-regressed, mind-wiped, and time-traveled back to where I was taken from. I no longer knew my family and had lots of programmed alters.”
In this haunting, symbolic vision, a young woman stands in a familiar world that now feels alien. Recently age-regressed, mind-wiped, and returned through time, she gazes at her surroundings—2014 suburbia—without recognition. A glowing portal behind her flickers with fading light, the last trace of the journey that erased her identity. Around her swirl translucent echoes of other selves—older versions, programmed alters—fragmented aspects of a life she no longer remembers. The environment warps with surreal distortion, blending the mundane with the futuristic, evoking the emotional dissonance of trauma, memory manipulation, and lost belonging. This image captures the disorienting silence left when time returns you home, but not whole.
Travel in Time to help your life NOW
Bathed in starlight and serenity, a glowing time portal stands between worlds—part machine, part mystical force. One half is a crafted ring of circuitry and light, the other a shimmering veil of energy symbolizing the power of imagination and intention. A person steps forward with calm purpose, gazing through the portal. On one side, their radiant future self awaits with strength and wisdom; on the other, an echo from a past life stands grounded in ancient garb and timeless knowing. The scene is an invitation to transcend time for healing and insight—a visual metaphor for transforming the present by connecting with who you’ve been and who you are becoming.
Imagine you enter a TIME PORTAL, a physical device you can see or a mental state you create for yourself.
Visualize YOURSELF IN A FUTURE OR PAST LIFE.
Notice what BODY you’re wearing, how it is or is not draped, and how it feels to embody this form.
Notice your SURROUNDINGS and the situation of significance you are about to witness.
At the center of a luminous, dreamlike portal, a traveler stands transformed, no longer bound by their present self. Draped in the flowing robes of an ancient priestess or clad in the sleek armor of a future commander, their form reflects the era they’ve entered. The scene unfolds like a living memory: ancient ruins under celestial skies or a glowing city pulsing with future energy. The traveler is immersed in a moment of profound significance—addressing a gathering, witnessing a turning point, or standing at the edge of destiny. Their gaze is inward and outward, as they absorb the sensations, emotions, and insights offered by this profound return. Time bends not to escape it, but to truly understand.
Let THE SCENE unfold like a movie in your mind, then enter that movie and experience the core of the situation you have come to see, hear, feel, and understand.
DIALOGUE—communicate back-and-forth with other people or beings in this past or future scene.
RETURN to the Time Portal.
WRITE or tell someone what you experienced.
This cinematic banner captures the emotionally charged visages of key figures in a secret space program saga. On the far left, young Stewart Swerdlow stares out with wide, haunted eyes, his face bathed in holographic light, symbolizing lost innocence and psychic burden at Montauk. Next, the cold, calculating gaze of Al Bielek reflects military authority and secrecy. In the center, Penny Bradley’s sharp eyes and composed expression reveal resilience shaped by decades aboard the Dark Fleet. Flanking them are two non-human entities: a Reptilian being with segmented white skin and cat-like eyes, exuding raw power, and a towering Mantid alien, its multi-faceted gaze intelligent and unnervingly calm. A soft cosmic gradient unifies the faces, conveying interconnected roles in an epic, time-bending narrative.
This wide-format sci-fi portrait banner presents a lineup of human and extraterrestrial characters whose lives intertwine across secret missions, interstellar warfare, and time manipulation. Each face tells a story through intense, expressive eyes. From left to right: Stewart Swerdlow as a boy—conflicted and fragmented from early psychic programming; Al Bielek—silent and severe, embodying hidden authority; Penny Bradley—focused and unwavering after a lifetime of cosmic navigation; followed by a menacing Draco Reptilian, its features sharp and alien; and finally, a Mantid being whose ethereal, reflective eyes evoke ancient knowledge. The blending of soft light and cosmic background suggests a connection and destiny across dimensions.
Keywords:
Montauk Project, secret space program, Stewart Swerdlow, Al Bielek, Penny Bradley, Draco Reptilian, Mantid alien, time travel, age regression, mind control, cosmic portal, hybrid beings, psychic programming, interstellar war, alien contact, military experiments, emotional portraits, sci-fi banner, extraterrestrial races, futuristic identities, suppressed memories, advanced technology, shadow government, timeline manipulation.
This intimate banner captures the human essence within a vast, secretive space program narrative. On the left, a young Stewart Swerdlow is portrayed with intense, searching eyes—an echo of childhood lost to the Montauk experiments. In the center, the stoic face of Al Bielek reflects a mind burdened by secrets and timelines, his gaze fixed and unyielding. Penny Bradley stands poised and resolute to the right, her expression shaped by decades of interstellar service and suppressed memory. Set against a flowing cosmic backdrop, this composition removes the extraterrestrial to spotlight the human soul, traumatized, resilient, and awakening within the machinery of hidden history.
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Preview YouTube video Dirty Machines: The End of History | Sci-Fi Short About Time Travel
Dirty Machines: The End of History | Sci-Fi Short About Time Travel
