The Lost Roswell “Taken Up” Story
Tom’s Story
By Janet Kira Lessin (with Minerva) & Theresa J. Morris
INTRODUCTION
Theresa J. Morris and Janet Kira Lessin began simulcast broadcasting in June of 2012. At times, Theresa’s husband, Tom Morris, would also appear on the show. During those broadcasts, I interviewed both Theresa and Tom, who were connected to military intelligence.
Tom described himself as a spy and wrote a fictionalized book titled Spy Games, based on his life experiences. During our interviews, he stated that he worked under the Reagan administration and that he was involved in the Secret Space Program. He also said that he was a pilot for GUS (Galaxy Universal Shuttle) — the craft that was delivered intact at Roswell in 1947, while another craft, meant to transport both crews to a mother ship, was destroyed due to an error by the Grey ETs.
According to Tom, the craft was not shot down. The Grey ETs, being telepathic, could perceive hostile intent seconds before humans themselves became conscious of it. When threatened, they could simply blink out interdimensionally.
GUS was a Trojan Horse, delivered intentionally to humanity.
(More on this later.)
Theresa wrote multiple books and intentionally embedded fragments of Secret Space Program information throughout them — each book containing another piece of the puzzle. A few days ago, Theresa published one of Tom’s stories on Substack. I immediately recognized it as a variation on a narrative she had previously included in one of her books, though slightly altered.
Tom passed away on December 2, 2015, after years of suffering. He had been gravely injured during a hand-to-hand combat mission that severely damaged his internal organs. Knowing he was dying, Tom left behind clues.
Now, nearly eleven years later, Theresa has published this account — one of Tom’s deathbed confessions.
— Janet Kira Lessin
CHAPTER 1
THE GALAXY UNIVERSAL SHUTTLE — GUS
Tom and Sara walked up the ramp into the Galaxy Universal Shuttle, known as GUS — a UFO of triangular saucer design, measuring approximately 30 feet by 30 feet. Sara had given the craft its name three months earlier, after Tom told her he planned to call the intelligent spacecraft Gus when he first began working on it.
Tom had been assigned to the aircraft for three months before Sara joined him on this particular project, deep underground. Both of them knew the craft could fly.
This was the day Tom intended to prove it to the world.
He planned to take the aircraft out of the underground Top Secret military facility hidden inside a mountain somewhere in New Mexico.
Sara had tried to talk him out of it, but Tom was determined to proceed with or without her. Reluctantly, she decided to go along. In the back of her mind, Sara did not truly believe Tom would actually take the aircraft out of the hangar. It was a heavily guarded location, and the craft had been stored there since 1947, when it was recovered in Roswell, New Mexico.
SIX MONTHS UNDERGROUND
The underground facility had been Tom and Sara’s home for six months, and they had not been permitted to leave since their arrival. They were flown into El Paso, Texas, then transported by a military cloaked van into the barren badlands of New Mexico.
They were told they were on the Fort Bliss military reservation, but neither could be certain. After a long drive through the mountains and the desert, the location became meaningless.
Rumors suggested they might be near Dulce, New Mexico, among the many underground facilities constructed during World War II and expanded throughout the Cold War. What had begun as food-storage bunkers evolved into vast classified complexes for nuclear and advanced research.
BOARDING AND THE DECISION TO LAUNCH
Tom and Sara were now the only beings aboard the alien craft — a vessel not of Earth origin. As they took their seats, the surfaces molded to the contours of their bodies. The interior appeared dull gray to human eyes.
As they settled in, consoles activated and the walls came alive, forming a half-circle of monitors displaying a 365-degree panoramic view of the surrounding environment — a view that had existed even before they boarded.
Sara had, in fact, been aboard an alien craft as a child, though Tom did not know this. She maintained the illusion of ignorance to avoid emotional conflict. Time was now critical.
Tom’s mission was to determine how the craft operated and whether it carried weapons. Yet whenever he reported findings to the General in charge, he was told simply to write it up and file it away. The General feared triggering international conflict and preferred silence to responsibility.
Today, silence would no longer be an option.
FIRST WORDS WITH GUS
“Good morning, Gus.” — Tom
“Good morning, Commander Bradley and Co-Commander Bolton.” — Gus
Sara smiled.
“Good morning, Gus. It’s nice to be aboard.”
Tom gestured toward the heavy power cables.
“These five-inch cables — are they going to be a problem?”
“No, Commander. Where are we going?” — Gus
“I want to meet your creators.”
Gus paused, processing.
“I am programmed to monitor human progress.”
“Your mission has changed.”
“Yes, Commander. You and the Co-Commander hold the highest authority in my code banks.”
Tom nodded.
“Close the ramp. Open the bay doors. Let’s go.”
THE ESCAPE FROM THE MOUNTAIN
The ramp retracted. Massive bay doors began opening.
The technicians below panicked as the clamps disengaged and the cables were severed. GUS rotated smoothly, aligned with the opening, and lifted into the New Mexico sunlight for the first time since July 1947.
Behind them, the doors sealed shut.
THE AIR FORCE SCRAMBLE
The facility’s alert system triggered an immediate scramble. Five jets launched within seconds.
“Gus, we have company.”
“No problem, Commander.”
GUS accelerated to Mach 5… then Mach 8.
Inside, Tom and Sara felt nothing.
Moments later, Earth fell away.
INTO SPACE — THE MOON AND BEYOND
Within minutes, they were beside the Moon. Earth rotated slowly in silence.
Then Mars.
Then something far larger.
THE COMMAND SHIP AND THE FLEET
A command ship appeared — hundreds of miles long.
“It is the Command Ship of the fleet.”
Millions lived aboard. Multiple species. A functioning civilization.
Weapons. Agriculture. Recreation. Families.
And command.
ENTERING THE COMMAND SHIP
Bay doors opened. Gus descended into the hangar.
Tom stood armed.
“No weapon will be necessary.”
He holstered it anyway.
WELCOME ABOARD — SUPREME COMMANDER ROBERT CLARK
A tall humanoid approached.
“Commander Bradley — welcome.”
Tom stepped forward.
“I want to speak to the Great Council.”
“Arrangements are being made.”
TO BE CONTINUED
Chapter 2 continues with:
The Tour • Radar Systems • Quarters • Hidden Communications Room • The Link Opens • Tom Faces the Great Council
This article is part of
THE ONE GOD UNIVERSE
A series by Janet Kira Lessin
Theresa J. Morris is the co-author of this article only.
THE ONE GOD UNIVERSE
The Lost Roswell “Taken Up” Story
Tom’s Story
By Janet Kira Lessin
with Theresa J. Morris (co-author of this article only)
INTRODUCTION
Theresa J. Morris and Janet Kira Lessin began simulcast broadcasting in June of 2012. Occasionally, Theresa’s husband, Tom Morris, would join the program. During those broadcasts, I interviewed both Theresa and Tom, who were connected to military intelligence.
Tom described himself as a spy and authored a fictionalized book titled Spy Games, based on his life experiences. During our interviews, he stated that he worked under the Reagan administration and that he was involved in the Secret Space Program. He also said he was a pilot for GUS (Galaxy Universal Shuttle) — the craft that was delivered intact at Roswell in 1947, while the second craft, which was meant to transport both crews to the mother ship, was destroyed due to an error on the part of the Grey ETs.
According to Tom, the craft was not shot down. The Greys, being telepathic, could perceive hostile intent seconds before humans themselves became conscious of it. When threatened, they could simply blink out interdimensionally.
GUS was a Trojan Horse, delivered intentionally to humanity.
(More on this later.)
Theresa wrote multiple books and intentionally embedded fragments of Secret Space Program information throughout them — each book containing another piece of the puzzle. A few days ago, Theresa published one of Tom’s stories on Substack. I immediately recognized it as a variation on a narrative she had previously included in one of her books, though slightly altered.
Tom passed away on December 2, 2015, after years of suffering. He had been gravely injured during a hand-to-hand combat mission that severely damaged internal organs. Knowing he was dying, Tom left behind clues.
Now, nearly eleven years later, Theresa has published this account — one of Tom’s deathbed confessions.
— Janet Kira Lessin
A THOUGHT I DID NOT FOLLOW—AT FIRST
During our broadcasts, I listened closely to Tom and Theresa. I thought I believed them, but actually, I wanted to believe them. That’s human nature. It was their story, not mine, and wanting to believe is not the same as believing. For me, I think I’m more of an “I’ll believe it when I see it” kinda gal.
What they shared was their experience. I was simply the interviewer—the careful listener holding space for someone else’s story.
After the third show, I went on with my life. We continued the thread on the show, and it was super interesting. But like the poster from X-Files, “I WANT TO BELIEVE.”
It would be some time before I realized that listening—really listening—can sometimes be enough to be noticed.
— To be continued
3. ILLUSTRATION PLAN
(Titles • Descriptions • Image Prompts)
All prompts follow your preferred style:
realistic, photorealistic, cinematic lighting, soft natural colors, fantasy realism, highly detailed, emotional depth, artistic composition
Landscape unless noted.
FEATURED IMAGE (Article Header)
Title: The Lost Roswell Taken Up Story
Description: A cinematic revelation moment bridging Earth, secrecy, and cosmic intelligence.
Prompt: A cinematic, photorealistic wide-angle scene of a hidden underground hangar opening to the New Mexico desert at sunrise. A triangular alien craft hovers silently inside the mountain, light spilling outward. Military shadows linger in the background, overwhelmed by scale and mystery. Realistic, cinematic lighting, soft desert colors, ultra-detailed, emotional realism, and landscape.
INTRODUCTION
Title: Clues Left Behind
Description: The weight of testimony, time, and legacy.
Prompt:
A quiet, intimate scene of an elderly man’s handwritten notes scattered on a desk beside a dim lamp. Old military photographs, a Substack article on a laptop screen, and a sense of urgency and confession. Warm, low light, realistic textures, emotional depth.
CHAPTER 1 — THE GALAXY UNIVERSAL SHUTTLE (GUS)
Title: The Craft That Waited
Description: GUS was first revealed.
Prompt: A triangular alien spacecraft inside a massive underground hangar carved into rock. The craft is metallic, smooth, and humming with intelligence. Scientists and technicians appear small beside it. Cinematic lighting, realistic scale, awe-inducing composition.
SIX MONTHS UNDERGROUND
Title: Buried in Plain Sight
Description: Life sealed beneath the desert.
Prompt: A long underground corridor with industrial lighting, concrete walls, armed guards, and scientists walking in silence. No windows. A feeling of isolation and secrecy. Realistic, cinematic, muted tones.
BOARDING AND THE DECISION TO LAUNCH
Title: The Point of No Return
Description: The moment everything changes.
Prompt: Two human figures, a man and a woman, standing at the base of a ramp leading into an alien craft. The ramp glows softly. Their posture shows tension and resolve. Desert rock walls loom around them. Cinematic lighting, emotional realism.
FIRST WORDS WITH GUS
Title: Good Morning, Commander
Description: First contact with an intelligent craft.
Prompt: Interior of an alien cockpit with living surfaces and panoramic holographic displays. Two human seats molded to their occupants. Soft glowing interfaces activate as the craft “wakes.” Clean, advanced, photorealistic sci-fi.
THE ESCAPE FROM THE MOUNTAIN
Title: Breaking Containment
Description: GUS exits Earth’s grip.
Prompt: The alien craft lifts through a massive hangar door into bright New Mexico sunlight while alarms flash below. Personnel scatter in shock. Dynamic motion, dramatic contrast, cinematic realism.
THE AIR FORCE SCRAMBLE
Title: Too Late to Stop It
Description: Human response meets superior tech.
Prompt: Five fighter jets are scrambling over desert terrain as a glowing triangular craft accelerates upward impossibly fast. Motion blur on jets, smooth clarity on the UFO. High tension, cinematic scale.
INTO SPACE — THE MOON AND BEYOND
Title: Earth From the Outside
Description: Humanity seen from a new perspective.
Prompt: View from space showing Earth and the Moon together, with a small alien craft rotating gently in the foreground. Stars crisp, Earth luminous. Awe-filled, photorealistic space imagery.
THE COMMAND SHIP AND THE FLEET
Title: The Armada
Description: First sight of the mothership.
Prompt: A colossal alien command ship near Mars, hundreds of miles long, dwarfs the planet. Smaller craft move around it like insects. Epic scale, cinematic lighting, realistic space physics.
ENTERING THE COMMAND SHIP
Title: Welcome Aboard
Description: Crossing into another civilization.
Prompt: A shuttle entering a vast hangar bay inside an alien mothership. Multiple species visible as silhouettes. Immense interior scale, glowing architecture, realistic sci-fi.
WELCOME ABOARD — SUPREME COMMANDER ROBERT CLARK
Title: The One Who Was Waiting
Description: The meeting of the command.
Prompt: A tall, dignified humanoid commander with subtle non-human features standing on a ceremonial deck as a red-and-gold carpet is unrolled. Military honor, calm authority, cinematic realism.
TO BE CONTINUED
Title: The Link Is About to Open
Description: The threshold of revelation.
Prompt: A quiet alien living quarters with a window overlooking deep space. A human figure stands alone, stars reflected on glass. Anticipation, silence, and destiny. Soft lighting, emotional depth.
BELLS & WHISTLES
(for: THE ONE GOD UNIVERSE: The Lost Roswell Taken Up Story — Tom’s Story)
Work in Progress Note
WORK IN PROGRESS: This is an unfolding installment in The One God Universe series. Additional chapters and supporting context will be added as new materials are released.
Author Credits
Series: The One God Universe — a series by Janet Kira Lessin
This article only: Co-authored with Theresa J. Morris
Subscribe Promos
If this chapter resonates, please subscribe so you don’t miss the next installment—especially Chapter 2 (The Tour, the Hidden Communications Room, and the Great Council link).
Subscribe on Substack: Janet’s Substack: (your link you gave me)
Also, Theresa J. Morris publishes on Substack here.
The Anunnaki Overlay
In the Anunnaki Overlay frame, this story functions like a modern “handoff myth”—a controlled transfer of advanced capability into human civilization through a gift-with-terms dynamic. Whether one reads it as literal, symbolic, or archetypal, the narrative highlights a recurring pattern in human history:
technology arrives, secrecy follows, and the human story splits between revelation and containment.
For readers following your broader work at Dragon at the End of Time, this chapter sits inside your larger inquiry into who guides civilization, how belief systems are engineered, and what “disclosure” looks like when it’s incremental, managed, and psychologically strategic.
AUTHOR BIOS
Janet Kira Lessin — Bio
Janet Kira Lessin is an author, media host, educator, researcher, hypnotherapist, and longtime extraterrestrial/paranormal experiencer. She has hosted and produced extensive radio and podcast programming and co-founded the Aquarian Radio Network. She is also the creator behind ongoing publishing projects that explore contact experiences, alternative history frameworks, and consciousness-based civilization models.
Janet’s Websites
- Dragon at the End of Time: dragonattheendoftime.com
- Experiencers Network: experiencersnetwork.com
- EnkiSpeaks (About page): enkispeaks.com
Theresa J. Morris — Bio (ET / Paranormal Broadcasting Focus)
Theresa J. Morris is a writer, publisher, and paranormal/UAP media creator associated with TJ Morris ET Radio, a long-running talk platform featuring UFO/UAP history, disclosure discussion, and community interviews. Her public-facing profiles describe her work across ET/paranormal research themes and communications networks, including Substack publishing and social media distribution.
Platforms (public):
- Substack: tjmorris.substack.com
- TJ Morris ET Radio (podcast listings): TuneIn / Apple Podcasts
- X: @TJTM
- (Additional public bio hubs exist, but some are older/less formal—if you want them included, I’ll format them as “archival links” rather than primary references.)
REFERENCES
(supporting sources for the bios + platform references above)
- Janet bio + presentations page (Dragon at the End of Time).
- Janet’s Experiencers Network author page.
- About Janet & Sasha (EnkiSpeaks).
- Theresa J. Morris Substack homepage.
- TJ Morris ET Radio listings (TuneIn / Apple Podcasts).
- Theresa profile summary (Reletter).
- Theresa’s X profile (@TJTM).
RELATED ARTICLES
Here are strong “Related / Next” links within your ecosystem:
- ANUNNAKI: Dominator Religions and the Godspell (Dragon at the End of Time) — pairs with your “OGU” framing and explains the control-system logic.
- Janet Kira Lessin — Experiencers Network posts — for readers who want your personal experiencer context alongside the narrative.
- Your conference/presentations index — a hub for your broader body of work and appearances.
- Theresa J. Morris Substack — where this Tom material is being published and updated.
SOCIAL PROMO BLOCKS
(copy/paste versions — customize the link line)
X (Twitter) Post
THE ONE GOD UNIVERSE: The Lost Roswell “Taken Up” Story — Tom’s Story
A disclosure-style narrative of GUS (Galaxy Universal Shuttle), underground secrecy, and a command ship beyond Mars.
Read: [PASTE ARTICLE LINK]
#UFO #UAP #Roswell #Disclosure #Experiencers #AnunnakiOverlay
Facebook Post
New installment in The One God Universe series: The Lost Roswell “Taken Up” Story — Tom’s Story.
This chapter follows the moment GUS leaves containment and heads into deep space—toward a fleet command ship and a larger governance structure.
Read here: [PASTE ARTICLE LINK]
If you’re following my Anunnaki Overlay and disclosure research, this chapter is a key bridge.
LinkedIn Post
Publishing update: The One God Universe — The Lost Roswell “Taken Up” Story (Tom’s Story)
This narrative explores secrecy systems, controlled technology transfer, and the psychological architecture of disclosure.
Article: [PASTE ARTICLE LINK]
Keywords: communications strategy, narrative governance, disclosure frameworks, experiencer research.
TAGS (comma-separated)
One God Universe, OGU, Roswell, GUS, Galaxy Universal Shuttle, Secret Space Program, SSP, Disclosure, UFO, UAP, Experiencer, ET Contact, Underground Bases, Dulce, Military Intelligence, Cosmic Governance, Great Council, Command Ship, Wormholes, Anunnaki Overlay, Alternative History, Paranormal Broadcasting, TJ Morris ET Radio
